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In this illustrated study, Elizabeth Legge describes Wavelength as a film of virtuosically managed tensions, sensuous beauty, subtle light and color, and recession into perspectival depth. At the same time, she points out, it is also austere: the loft space where the action unfolds could be the last clerical outpost of a defunct business. The zoom is punctuated by what Snow laconically called "4 human events": a woman directs two men who carry in a bookcase and place it against the left wall of the room; two women come in and listen to the Beatles' "Strawberry Fields" on the radio; a man briefly appears after protracted crashing and glass-breaking noises, wheels around, and drops dead; a young woman comes into the room and makes a frightened telephone call reporting the dead man ("And he doesn't look drunk, he looks dead.").
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Edition Notes
Includes bibliographical references.
Mode of access: Internet.
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- Created July 30, 2014
- 9 revisions
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| November 11, 2025 | Edited by MARC Bot | import existing book |
| March 28, 2025 | Edited by ImportBot | Redacting ocaids |
| January 1, 2023 | Edited by MARC Bot | import existing book |
| December 26, 2022 | Edited by MARC Bot | import existing book |
| July 30, 2014 | Created by ImportBot | Imported from Internet Archive item record |

