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Modernism is both a contested aesthetic category and a powerful political statement. Modernist music was condemned as degenerate by the Nazis and forcibly replaced by socialist realism under the Soviets. Sympathetic philosophers and critics have interpreted it as a vital intellectual defence against totalitarianism, yet some American critics consider it elitist, undemocratic, and even unnatural. Drawing extensively on the philosophy of Heidegger and Badiou, Quilting Points proposes a new dialectical theory of faithful, reactive, and obscure subjective responses to musical modernism, which embraces all the music of Western modernity.
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The quilting points of musical modernsim: revolution, reaction, and William Walton
2012, Cambridge University Press
in English
0521765218 9780521765213
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Includes bibliographical references and index.
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- Created April 25, 2012
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December 20, 2022 | Edited by MARC Bot | import existing book |
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April 25, 2012 | Created by LC Bot | Imported from Library of Congress MARC record |