Semiotics of exile in contemporary Chinese film

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Last edited by MARC Bot
April 14, 2025 | History

Semiotics of exile in contemporary Chinese film

  • 4.0 (1 rating)
  • 1 Have read

viii, 177 p. ; 23 cm

Publish Date
Publisher
Palgrave Macmillan
Language
English
Pages
177

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Previews available in: English

Edition Availability
Cover of: Semiotics of exile in contemporary Chinese film
Semiotics of exile in contemporary Chinese film
2012, Palgrave Macmillan
in English
Cover of: Semiotics of Exile in Contemporary Chinese Film
Semiotics of Exile in Contemporary Chinese Film
2012, Palgrave Macmillan
in English
Cover of: Semiotics of Exile in Contemporary Chinese Film
Semiotics of Exile in Contemporary Chinese Film
2012, Palgrave Macmillan
in English

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Book Details


Table of Contents

Introduction
Semiotics of photography and exile
Postmodernism and semiotics of exile
Female doubling and postcolonial exile
Semiotics of exile and genre upsetting: Xin Jin's subversion of melodrama in "Hibiscus town"
Failure of root-searching in Cheng Kaige
Semiotics of exile and displaced film codes: Jia Zhangke's three films
Conclusion.

Edition Notes

Includes bibliographical references.

Published in
New York, NY
Series
Semiotics and popular culture

Classifications

Dewey Decimal Class
791.430951
Library of Congress
PN1995.9.E44 Z46 2012, PN1992.63GN625-GN635

The Physical Object

Pagination
p. cm.
Number of pages
177

Edition Identifiers

Open Library
OL25276230M
ISBN 13
9781137002396
LCCN
2012010438
OCLC/WorldCat
768167336

Work Identifiers

Work ID
OL16591982W

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