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Caravaggio and pictorial narrative: dislocating the Istoria in early modern painting
2011, Harvey Miller Publishers
in English
1905375484 9781905375486
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Book Details
Table of Contents
A matter of optics and rhetoric: the aporia of pictorial narravtive before, during, and after Caravaggio's time, Caravaggio's nonsense
The glitches in Alberti's Istoria: the human figure between beauty and reality
The glitches in Alberti's Istoria: time and action
The false dichotomy between telling and showing: beyond Alberti's Istoria
Blending genres: lyrical and comical interactions in Caravaggio's early paintings, comedy of errors
Money and seduction: narrative patterns in Caravaggio's two versions of the Fortune Teller
Behind the comical trick: Caravaggio's 'The Cardsharps' and Giovan Battista Marino's "Gioco de Primera "
Love in the mirror: a comparative reading of Titian's 'Woman at her Toilet' and Caravaggio's 'Conversion of Mary Magdalene'.
Edition Notes
HMSBA is Harvey Miller Studies in Baroque Art.
Includes bibliographical references (p. 589-643) and index.
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History
- Created March 15, 2012
- 6 revisions
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| February 3, 2023 | Edited by ImportBot | import existing book |
| December 22, 2022 | Edited by MARC Bot | import existing book |
| December 13, 2022 | Edited by MARC Bot | import existing book |
| May 25, 2022 | Edited by ImportBot | import existing book |
| March 15, 2012 | Created by LC Bot | Imported from Library of Congress MARC record |

