An edition of Proceedings of the George Enescu International Musicology Symposium Bucharest, 2011
(2011)
Proceedings of the George Enescu International Musicology Symposium Bucharest, 2011
Volume 1
George Enescu, from knowledge to recognition
by Mihai Cosma
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Vol. XV, no. 1, 2011
The chapters are presented in three different languages: English, French, German
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George Enescu, Yehudi Menuhin, Sophocles, Jim SamsonTimes
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Proceedings of the George Enescu International Musicology Symposium Bucharest, 2011: Volume 1
2011, Editura Muzicala
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in English
- George Enescu, from knowledge to recognition
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Proceedings of the George Enescu International Musicology Symposium, 2011 - Vol. 2
2011, Editura Muzicala
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Book Details
Published in
Bucharest, Romania
Table of Contents
SECTION 1.
ESSAYS & DOCUMENTS
Hermeneutik der Stylistischen Horizonte der Symphonischen Dichtung Vox Maris.
Ștefan Angi
Page 11
George Enescu and Constanţa Erbiceanu - Encounters, Spiritual Correspondences.
Lavinia Coman
Page 17
The Semantic Lattice or the Play of Mood Shifts in George Enescu’s Music.
Nicolae Brânduș
Page 20
L’éducation primaire (Home-School) à Cracalia.
Viorel Cosma
Page 23
The Monody in Enescian Polystratifications.
Constanța Cristescu
Page 30
Widersprüchliche Stilistische Aspekte im OEuvre George Enescus.
Corneliu Dan Georgescu
Page 36
George Enescu’s Development as a Composer After 1894.
Adalbert Grote
Page 42
Monodie und Heterophonie – Das Schwanken der Raumperspektiven in Georges Enescu’s Oktett.
Martin Kowalewski
Page 54
Enescu’s Symphonism - A Different Vision in 20th Century Music.
Sorin Lerescu
Page 63
Symbolism of Water in the Work of George Enescu.
Olguța Lupu
Page 67
Sparking an Enescian Music Revival in Today’s American Musical Milieu.
Iris Annette Perry
Page 75
Champions of Enescu in the United States, 1975-2011.
Anne Petrie
Page 81
New Documents about George Enescu’s Last Years.
Ioana Raluca Voicu-Arnăuțoiu
Page 87
The Nature in the Music of Enescu, Ravel and Debussy.
Lucia Raevschi
Page 97
Spurensuche: die Doina im Schaffen von George Enescu.
Vincent Rastädter
Page 101
An Exploration of George Enescu’s Seven Songs on Poems by Clément Marot, Op. 15.
Alina Bottez
Page 108
Childhood Impressions: George Enescu’s Memories between Musical Iconism and Symbolism.
Antigona Rădulescu
Page 113
Enescu - Janus Bifrons.
Cornel Țăranu
Page 118
SECTION 2.
OEDIPUS
Oedipus or the Problem of Destiny, between Myth and Illusion.
Irina Boga
Page 123
L’opéra Oedipe de Georges Enesco – la dramaturgie musicale en plan vocal.
Grigore Constantinescu
Page 126
Enescu and Fleg’s OEdipe: Innovations and Modifications to the Sophoclean Version of the Myth of Oedipus.
Salvatore Costantino
Page 129
The Musical and Philosophical Fundaments of the Myth of Destiny in OEdipe by George Enescu.
Petruța Măniuț-Coroiu
Page 135
Typologies narratives dans l’opéra Oedipe.
Despina Petecel-Theodoru
Page 138
Die Rezeption von Enescus Oedipe Anlässlich der Premiere an der Wiener Staatsoper (1997).
Haiganuș Preda-Schimek
Page 148
Generative Prozesse in der Musiksprache Unserer Zeit. Archetypen der Klage in der Oper OEdipe von George Enescu.
Roberto Reale
Page 161
Oedipe and the Inner Geometry of the Human Being.
Roxana Susanu
Page 171
SECTION 3.
CROSSOVER
George Enescu et Bela Bartók: deux compositeurs inspirés par la violonistique populaire roumaine.
Liliana-Isabela Apostu Haider
Page 177
Footsteps Following Oedipus’ Journey Through the Arts, from the Greek Antiquity up to Nowadays.
Mihai Cosma
Page 184
Musikalische Charaktere bei Enescu und Saint-Saëns aus Sicht der Musikpädagogik.
Monika Jäger
Page 195
What Makes a Hero? Enescu, Szymanowski and the Classical Plot.
Jim Samson
Page 199
George Enescu et Hellas.
Marcel Spinei
Page 203
SECTION 4.
APPLIED RESEARCH
The Echo of Paganini’s Caprices Reflected on Enescu’s Work.
Ioana Croitoru
Page 219
George Enescu et l’orgue.
Felician Roșca
Page 222
Enescu’s Revisions of Schumann’s Third Symphony Op. 97.
Tido Dejan
Page 233
The Dynamics of the Rhythmical Processes in Edifying the Enescian Thematic Matrix.
Gheorghe Duțică
Page 238
The Vocal Symphonic Poem Isis – From Enescu’s Sketch to Pascal Bentoiu’s Orchestration.
Laura Vasiliu
Page 250
Edition Notes
Organizer: Romanian Composers & Musicologists Society
Contributors
The Physical Object
ID Numbers
Work Description
The volume is a collection of the papers presented by the participants to the George Enescu International Symposium in Bucharest, 2011. It was the 15th edition, with contributor from USA, Germany, France, Italy, Austria, Romania etc.
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History
- Created February 26, 2012
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| August 9, 2012 | Edited by VacuumBot | Updated format 'paperback' to 'Paperback' |
| March 1, 2012 | Edited by Mihai Cosma | Added new cover |
| February 29, 2012 | Edited by Diana Murasan | Edited without comment. |
| February 29, 2012 | Edited by Diana Murasan | Edited without comment. |
| February 26, 2012 | Created by Mihai Cosma | Added new book. |