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Digital prohibition: piracy and authorship in new media art
2012, Continuum
in English
1441106103 9781441106100
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Book Details
Table of Contents
Introduction: Ambivalence and Authorship
The Third Space of Authorship: Participatory Practices and New Narrative Models
The New Prohibition: Digital Piracy and the Politics of Creation
The Aesthetics of Appropriation. Creativity is Dead
Long Live The Reflexive Remix
Interruption (Stoppage + Repetition)
Disturbance (Action + Event)
Tactical Media: Public Disturbance After the Decline and Fall of Activism
Capture/Leakage (Performance + Documentation)
Dynamic Data and Augmented Bodies
Authorship. From Karaoke Culture to Vernacular Video
"Aberrant Decoding" and Atactical Aesthetics
Sampling
Mashups
Remakes/Adaptations/Intertexts
Streamed data/content or visualization
Archiving As An Aesthetic Form
Hacks
Google Empire: Smart Art and Intelligent Agents From Intelligent Tools to Smart Art
Real Time/ UnReal Time
Creative Cannibalism and Digital Anthropophagy. Digital Anthropophagy
Translation: Performing The In Between
"Productive Mistranslation" (China and Pakistan)
Conclusion.
Edition Notes
Includes bibliographical references and index.
Classifications
The Physical Object
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- Created November 23, 2011
- 6 revisions
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February 26, 2022 | Edited by ImportBot | import existing book |
October 9, 2020 | Edited by ImportBot | import existing book |
September 25, 2020 | Edited by MARC Bot | import existing book |
August 2, 2020 | Edited by ImportBot | import existing book |
November 23, 2011 | Created by LC Bot | Imported from Library of Congress MARC record |