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"In contrast to the classical detective story, the spy novel tends to be considered a suspect, less literary genre. While previous studies have focused on its historical, thematic and ideological dimensions, this critical work seeks to distinguish British espionage fiction based on its unique narrative form, which is typically elliptical, oblique and recursive"--Provided by publisher.
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The art of indirection in British espionage fiction: a critical study of six novelists
2011, McFarland & Co.
in English
0786463791 9780786463794
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Book Details
Table of Contents
Introduction: Reconnoitering a Disreputable Genre
Eric Ambler's revisionist thrillers
Graham Greene's world of loyalty and betrayal
Len Deighton's cold war triptych
John Le Carre's post-cold war labyrinths
Stella Rimington's feminist espionage fiction
Charles Cumming's contemporary vision.
Edition Notes
Includes bibliographical references and index.
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- Created July 26, 2011
- 6 revisions
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January 5, 2023 | Edited by MARC Bot | import existing book |
October 9, 2020 | Edited by ImportBot | import existing book |
September 25, 2020 | Edited by MARC Bot | import existing book |
August 2, 2020 | Edited by ImportBot | import existing book |
July 26, 2011 | Created by LC Bot | Imported from Library of Congress MARC record |