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These essays chart the development of Ciaran Carson's career, scrutinizing his experiments in a new urban poetics, including his obsessive concern with maps and labyrinths. The essays examine his interest in narrative, and explore the continuities between his poetry and his prose, and they consider his relation to various poetic traditions.--From publisher description.
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Table of Contents
Introduction : for all I know / Ciaran Carson in conversation with Elmer Kennedy-Andrews
Language and the prosodic line in Carson's poetry / Peter Denman
"Pushed next to nothing" : Ciaran Carson's 'Breaking news' / David Wheatley
"Walking in the city" : space, narrative and surveillance in 'The Irish for no' and 'Belfast confetti' / John Goodby
"The mouth of the poem" : Carson and place / Eamonn Hughes
"Cruising to the podes" : Ciaran Carson's virtual realities / Stan Smith
The word as object : commodification in the poetry of Ciaran Carson / Michael McAteer
Ciaran Carson : the spy in the superior turret / Tim Hancock
"Faery lands forlorn" : reading tradition in the poetry of Ciaran Carson / Patricia Horton
Carson's carnival of language : the influence of Irish and the oral tradition / Frank Sewell
Borrowed lines? : a reading of Ciaran Carson's American influences / Ciaran O'Neill
Alphabets and labyrinths in Ciaran Carson's 'Fishing for amber' / Jerzy Jarniewicz
Carson, Heaney, and the art of getting lost / Elmer Kennedy-Andrews
Acoustic perfume / Alan Gillis.
Edition Notes
Includes bibliographical references and index.
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- Created September 10, 2009
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