Art in an age of counterrevolution, 1815-1848

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Last edited by MARC Bot
August 11, 2024 | History

Art in an age of counterrevolution, 1815-1848

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"Art for art's sake. Art created in pursuit of personal expression. In Art in an Age of Counterrevolution, Albert Boime rejects these popular modern notions and suggests that history - not internal drive or expressive urge - as the dynamic force that shapes art." "This volume focuses on the astonishing range of art forms currently understood to fall within the broad category of Romanticism. Drawing on visual media and popular imagery of the time, this illustrated work examines the art of Romanticism as a reaction to the social and political events surrounding it. Boime reinterprets canonical works by such politicized artists as Goya, Delacroix, Gericault, Friedrich, and Turner, framing their work not by personality but by its sociohistorical context. Boime's approach and scope allows him to incorporate a wide range of perspectives into his analysis of Romantic art, including Marxism, social history, gender identity, ecology, structuralism, and psychoanalytic theory, a reach that parallels the work of contemporary cultural historians and theorists such as Edward Said, Pierre Bourdieu, Eric Hobsbawm, Frederic Jameson, and T. J. Clark." "Boime ultimately establishes that art serves the interests and aspirations of the cultural bourgeoisie. In grounding his arguments on their work and its scope and influence, he elucidates how all artists are inextricably linked to history. This book will be used widely in art history courses and exert influence on cultural studies as well."--BOOK JACKET.

Publish Date
Language
English
Pages
750

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Previews available in: English

Edition Availability
Cover of: Art in an age of counterrevolution, 1815-1848
Art in an age of counterrevolution, 1815-1848
2004, University of Chicago Press
in English

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Book Details


Table of Contents

Congress of Vienna: conceptualizing counterrevolution
Restoration bliss: the Nazarenes
Restoration horror: Part I
Restoration horror: part II
Charles X: French absolutism's last stand
Counterrevolution of the July monarchy: an umbrella organization, 1830-1848
Fractures in the juste milieu
Counterrevolutionary origins of photography and modern landscape painting
Counterrevolution in America: a comparison
England and the transition: Romanticism to Realism.

Edition Notes

Includes bibliographical references and (p. 659-709) and index.

Published in
Chicago
Series
A social history of modern art -- v. 3.

Classifications

Library of Congress
N6757 .B64 2004, N6757.B64 2004

The Physical Object

Pagination
xvii, 750 p. :
Number of pages
750

ID Numbers

Open Library
OL23240301M
Internet Archive
artinageofcounte0000boim
ISBN 10
0226063372, 0226063380
LCCN
2003023130
OCLC/WorldCat
53315275
Library Thing
2916176
Goodreads
1411351

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History

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August 11, 2024 Edited by MARC Bot import existing book
December 19, 2023 Edited by ImportBot import existing book
January 27, 2023 Edited by ImportBot import existing book
June 17, 2022 Edited by ImportBot import existing book
May 29, 2009 Created by ImportBot Imported from marc_cca MARC record