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For centuries, ballet companies have been transporting audiences beyond their workaday worlds, one performance at a time. A layperson who sees a ballerina perform in Swan Lake may be thrilled or impressed--may imagine the hours of rehearsal that lie behind each performance or understand something about the demands made on a dancer--but many who appreciate ballet remain unacquainted with all the steps, parts, people, and money that must come together for a world-class company to complete a season of performances. Beyond the flash of lights onstage is a world of physical trainers and fundraisers, artistic directors and executive boards, all laboring to ensure that the show goes on. In this unprecedented behind-the-scenes look at the life of a company, former Boston Globe dance critic Christine Temin and photographer Wally Gilbert present a compelling portrait of the Boston Ballet. Their evocative prose and penetrating photography turn the spotlight on all the elements--from toe shoes and costumes to rehearsals and revenue--that come together (or fall apart) in a season. Boston Ballet, in turn, makes a perfect study: After a rash of mysterious firings and defections in the early 2000s, the company seems to have moved past the controversy with a new artistic director and a new schedule of international performances. Its story highlights the tremendous amount of work and energy that goes in before the curtain can ever go up.--Publisher's information.
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Ballet companies, Ballet, Boston Ballet, BalletsShowing 1 featured edition. View all 1 editions?
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- Created December 12, 2008
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November 30, 2023 | Edited by MARC Bot | import existing book |
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December 12, 2008 | Created by ImportBot | Imported from Library of Congress MARC record |