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Edition | Availability |
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The late paintings of Velázquez: theorizing painterly performance
2008, Ashgate, Routledge
in English
0754666778 9780754666776
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Book Details
Table of Contents
List of illustrations
Acknowledgements
Introduction
Ch. 1. Critical responses to painterly painting. Wölfflin's Malerisch
Italian responses to painterly brushwork
Spanish responses to painterly brushwork
The hand of the artist
Velázquez and Marco Boschini
Ch. 2. An allegory of painterly painting. Portrait? Sibyl?
Cesare Ripa's Pittura
The origin of painting I. : Dibutades
The origin of painting II : Narcissus
The origin of painting III : God
Ch. 3. The Spinners and the triumph of Venice. The background
The foreground I : Process and product
The foreground II : Moving figures
Tintoretto : tirato via di pratica
Ch. 4. The Spinners as critique. Inverting Michelangelo
Baltasar Gracián's Agudeza
Redefining Affetti and the hierarchy of the genres
Ch. 5. Las Meninas : social and structural perspectives. The early descriptions
Structure and story
Setting
The nobility of Velázquez ; The nobility of painting
Ch. 6. Las Meninas : painterly polemics. Critique of theory
Las Meninas and Poussin's self-portraits
The mirror
Jan van Eyck's Arnolfini wedding and Baltasar Gracián's Agudeza
Final touches
Bibliography.
Edition Notes
Includes bibliographical references.
Classifications
The Physical Object
ID Numbers
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- Created December 11, 2008
- 8 revisions
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November 30, 2023 | Edited by MARC Bot | import existing book |
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December 11, 2008 | Created by ImportBot | Imported from Library of Congress MARC record |