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Setting Realism in its social and historical context, the author discusses the crucial paradox posed by Realist works of art - notably in the revolutionary paintings of Courbet, the works of Manet, Degas and Monet, of the Pre-Raphaelites and other English, American, German and Italian Realists.
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Originally published: London : Pelican Books, 1971.
Includes bibliographical references (p271-274) and index.
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