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April 12, 2023 | History

A new literary history of modern China

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A New Literary History of Modern China is a collective project that introduces the "long" modern period of Chinese literature from the late seventeenth century to the new millennium. The volume, with roughly 160 essays contributed by 145 authors on a wide spectrum of topics, is intended for readers who are interested in understanding modern China through its literary and cultural dynamics. At the same time, it takes up the challenge of rethinking the conceptual framework and pedagogical assumptions that underlie the extant paradigm of writing and reading literary history. Beyond the familiar canon of literature as representation, the volume seeks to include the tradition of literature as manifestation, on both textual and contextual levels, in a history of modern Chinese literature. In addition to familiar genres, A New Literary History features a diverse lineup of forms, from presidential speeches to pop song lyrics, from photographs to films, and from political treatises to prison house jottings--forms that not only represent the material world, but can also shape it and complete it. By combining both the pointillism of the chronicle and the comprehensiveness of grand recit, this revisionist endeavor introduces the four themes of "worlding" literary China: architectonics of temporalities; dynamics of travel and transculturation; contestation between wen and mediality; and remapping of the literary cartography of modern China.--

Publish Date
Publisher
Belknap Press
Language
English
Pages
1001

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Cover of: A new literary history of modern China
A new literary history of modern China
2017, Belknap Press
Hardcover in English

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First Sentence

"A New Literary History of Modern China is a collective project that introduces the “long” modern period of Chinese literature from the late eighteenth century to the new millennium."

Table of Contents

Acknowledgements. David Der-Wei Wang
Page xxiii
Introduction: Worlding Literary China. David Der-wei Wang
Page 1
The Multiple Beginnings of Modern Chinese “Literature”. Sher-Shiueh Li
Page 29
Dutch Plays, Chinese Novels, and Images of an Open World. Paize Keulemans
Page 35
The Revival of Letters in Nineteenth-Century China. Theodore Huters
Page 46
Legacies in Clash: Anticipatory Modernity versus Imaginary Nostalgia. Andrew Schonebaum
Page 51
Robert Morrison’s Chinese Literature and Translated Modernity. John T. P. Lai
Page 56
Gongyang Imaginary and Looking to the Confucian Past for Reform. Benjamin A. Elman
Page 62
Flowers in the Mirror and Chinese Women: “At Home in the World”. Carlos Rojas
Page 69
Utter Disillusion and Acts of Repentance in Late Classical Poetry. Stephen Owen
Page 74
In Search of a Chinese Utopia: The Taiping Rebellion as a Literary Event. Huan Jin
Page 79
My Life in China and America and Transpacific Translations. Chih-Ming Wang
Page 85
Two Chinese Poets Are Homeless at Home. Xiaofei Tian
Page 91
Foreign Devils, Chinese Sorcerers, and the Politics of Literary Anachronism. David Der-Wei Wang
Page 97
Women Writers in Early Modern China. Ellen Widmer
Page 103
Wang Tao Lands in Hong Kong. Emma J. Teng
Page 108
Media, Literature, and Early Chinese Modernity. Rudolf G. Wagner
Page 114
The Politics of Translation and the Romanization of Chinese into a World Language. Uganda Sze Pui Kwan
Page 119
In Lithographic Journals, Text and Image Flourish on the Same Page. Xia Xiaohong and Chen Pingyuan
Page 125
Lives of Shanghai Flowers, Dialect Fiction, and the Genesis of Vernacular Modernity. Alexander Des Forges
Page 133
The “New Novel” before the Rise of the New Novel. Patrick Dewes Hanan
Page 139
Qiu Fengjia and the Poetics of Tears. Chien-Hsin Tsai
Page 144
Language Reform and Its Discontents. Theodore Huters
Page 151
Oracle Bones, That Dangerous Supplement…. Andrea Bachner
Page 156
Liang Qichao’s Suspended Translation and the Future of Chinese New Fiction. Satoru Hashimoto
Page 161
Fallen Leaves, Grieving Cicadas, and Poetic Mourning after the Boxer Rebellion. Shengqing Wu
Page 167
Eliza Crosses the Ice—and an Ocean—and Uncle Tom’s Cabin Arrives in China. Michael Gibbs Hill
Page 173
Sherlock Holmes Comes to China. Wei Yan
Page 178
Imagining Modern Utopia by Rethinking Ancient Historiography. N. Göran D. Malmqvist
Page 184
Wen and the “First History(-ies) of Chinese Literature”. Kwok Kou Leonard Chan
Page 190
Münchhausen Travels to China. Géraldine Fiss
Page 196
Zhang Taiyan and the Revolutionary Politics of Literary Restoration. Tsuyoshi Ishii
Page 202
Global Theatrical Spectacle in Tokyo and Shanghai. Natascha Gentz
Page 208
The Death of China’s First Feminist. Hu Ying
Page 214
From Mara to Nobel. David Der-wei Wang
Page 219
A Classical Poetry Society through Revolutionary Times. Shengqing Wu
Page 225
Revolution and Love. Haiyan Lee
Page 231
The Book of Datong as a Novel of Utopia. Kai-Cheung Dung
Page 237
Hu Shi and His Experiments. Susan Chan Egan
Page 242
Inventing Youth in Modern China. Mingwei Song
Page 248
Zhou Yucai Writes “A Madman’s Diary” under the Pen Name Lu Xun. Ha Jin
Page 254
Modern Monkhood. Ying Lei
Page 260
The Big Misnomer: “May Fourth Literature”. Michel Hockx
Page 265
Clinical Diagnosis for Taiwan. Pei-Yin Lin
Page 271
Turning Babbitt into Bai Bide. Tze-Ki Hon
Page 277
Xiang Kairan’s Monkey. John Christopher Hamm
Page 282
New Culture and the Pedagogy of Writing. Charles A. Laughlin
Page 289
Xu Zhimo and Chinese Romanticism. Michelle Yeh
Page 295
Enchantment with the Voice. Chen Pingyuan
Page 301
Lu Xun and Tombstones. Wang Hui
Page 306
Mei Lanfang, the Denishawn Dancers, and World Theater. Catherine Vance Yeh
Page 311
“This Spirit of In de pen dence and Freedom of Thought . . . Will Last for Eternity with Heaven and Earth”. Wai-Yee Li
Page 319
The Legend of a Modern Woman Writer of Classical Verse. Grace S. Fong
Page 325
Ba Jin Begins to Write Anarchist Novels. Mingwei Song
Page 331
Revolution and Rhine Wine. Pu Wang
Page 337
Genealogies of Romantic Disease. Andrew Schonebaum
Page 343
Gender, Commercialism, and the Literary Market. Amy Dooling
Page 348
The Author as Celebrity. Eileen Cheng-Yin Chow
Page 354
Practical Criticism in China. Q. S. Tong
Page 360
Invitation to a Beheading. David Der-Wei Wang
Page 365
The Chinese League of Left-Wing Writers, 1930–1936. Lawrence Wang-Chi Wong
Page 371
Hei Ying’s “Pagan Love Song”. Andrew F. Jones
Page 376
Roots of Peace and War, Beauty and Decay, Are Sought in China’s Good Earth. Jeffrey C. Kinkley
Page 382
Recollections of Women Soldiers on the Long March. Helen Praeger Young
Page 388
On Language, Literature, and the Silent Screen. Kristine Harris
Page 394
The Execution of Qu Qiubai. Andy Rodekohr
Page 400
The Child and the Future of China in the Legend of Sanmao. Lanjun Xu
Page 406
Crossing the River and Ding County Experimental Theater. Man He
Page 414
One Day in China. Charles A. Laughlin
Page 420
Resonances of a Visual Image in the Early Twentieth Century. Xiaobing Tang
Page 426
Lu Xun and the Afterlife of Texts. Eileen J. Cheng
Page 432
Cao Yu and His Drama. Li Ruru and David Jiang
Page 437
A Chinese Poet’s Wartime Dream. John A. Crespi
Page 443
William Empson, W. H. Auden, and Modernist Poetry in War time China. Q. S. Tong
Page 449
The Lost Novel of the Nanjing Massacre. Michael Berry
Page 456
The Poetics and Politics of Neo-Sensationism. Peng Hsiao-Yen
Page 462
Between Chineseness and Modernity: The Film Art of Fei Mu. Wong Ain-Ling
Page 467
Chinese Revolution and Western Literature. Ban Wang
Page 473
Eileen Chang in Hong Kong. Leo Ou-Fan Lee
Page 478
In War She Writes. Katherine Hui-Ling Chou
Page 484
Taiwan’s Genius Lü Heruo. Faye Yuan Kleeman
Page 489
The Cultural and Political Significance of Mao Zedong’s Talks at the Yan’an Forum on Literature and Art. Qian Liqun
Page 495
The Genesis of Peasant Revolutionary Literature. Hui Jiang
Page 500
The North Has Mei Niang. Norman Smith
Page 506
Ideologies of Sound in Chinese Modernist Poetry. Nick Admussen
Page 512
The Enigma of Yu Dafu and Nanyang Literature. E. K. Tan
Page 517
On Literature and Collaboration. Susan Daruvala
Page 522
On Memory and Trauma: From the 228 Incident to the White Terror. Kang-i Sun Chang
Page 528
The Socratic Tradition in Modern China. Jingling Chen
Page 533
The Life of a Chinese Literature Textbook. Joseph R. Allen
Page 539
Shen Congwen’s Journey: From Asylum to Museum. Xiaojue Wang
Page 544
A New Time Consciousness: The Great Leap Forward. Har Ye Kan
Page 550
The Genesis of Literary History in New China. Yingjin Zhang
Page 556
Transnational Socialist Literature in China. Nicolai Volland
Page 562
A Provocation to Literary History. Shuang Shen
Page 568
Salvaging Chinese Script and Designing the Mingkwai Typewriter. Jing Tsu
Page 573
Lao She and America. Richard Jean So
Page 580
The Emergence of Regional Opera on the National Stage. Wilt L. Idema
Page 585
Lu Ling, Hu Feng, and Literary Persecution. Kirk A. Denton
Page 590
Hong Kong Modernism and I. Wai-lim Yip
Page 597
Zhou Shoujuan’s Romance à la Mandarin Ducks and Butterflies. Jianhua Chen
Page 602
Orphans of Asia. Chien-hsin Tsai
Page 607
Sino-Muslims and China’s Latin New Script: A Reunion between Diaspora and Nationalism. Jing Tsu
Page 613
A Monumental Model for Future Perfect Theater. Tarryn Li-min Chun
Page 619
Mao Zedong Publishes Nineteen Poems and Launches the New Folk Song Movement. Xiaofei Tian
Page 625
On The Song of Youth and Literary Bowdlerization. Yunzhong Shu
Page 630
Hunger and the Chinese Malaysian Leftist Narrative. Chong Fah Hing and Kyle Shernuk
Page 635
Three Ironic Moments in My Mother Ru Zhijuan’s Literary Career. Wang Anyi
Page 640
The Legacies of Jaroslav Průšek and C. T. Hsia. Leo Ou-fan Lee
Page 644
Fu Lei and Fou Ts’ong: Cultural Cosmopolitanism and Its Price. Guangchen Chen
Page 650
The “Red Pageant” and China’s First Atomic Bomb. Xiaomei Chen
Page 656
Red Prison Files. Jie Li
Page 663
Modernism versus Nativism in 1960s Taiwan. Christopher Lupke
Page 669
The Specter of Liu Shaoqi. Ying Qian
Page 674
The Red Lantern: Model Plays and Model Revolutionaries. Yomi Braester
Page 680
Jin Yong Publishes The Smiling, Proud Wanderer in Ming Pao. Petrus Liu
Page 685
The Angel Island Poems: Chinese Verse in the Modern Diaspora. Steven Yao
Page 691
In Search of Qian Zhongshu. Theodore Huters
Page 697
A Subtle Encounter: Tête-bêche and In the Mood for Love. Mary Shuk-han Wong
Page 703
The Mysterious Death of Bruce Lee, Chinese Nationalism, and Cinematic Legacy. Stephen Teo
Page 707
Yang Mu Negotiates between Classicism and Modernism. Michelle Yeh
Page 712
Poems from Underground. Lucas Klein
Page 718
A Modern Taiwanese Innocents Abroad. Clint Capehart
Page 725
Confessions of a State Writer: The Novelist Hao Ran Offers a Self-Criticism. Richard King
Page 731
Chen Yingzhen on the White Terror in Taiwan. Ping-hui Liao
Page 737
Liu Binyan and the Price of Relevance. Ping-hui Liao
Page 742
A Tale of Two Cities. Lingchei Letty Chen
Page 747
Food, Diaspora, and Nostalgia. Weijie Song
Page 753
Discursive Heat: Humanism in 1980s China. Gloria Davies
Page 758
The Advent of Modern Tibetan Free-Verse Poetry in the Tibetan Language. Lauran R. Hartley
Page 765
Literary Representation of the White Terror and Rupture in Mid-Twentieth-Century Taiwan. Sung- sheng Yvonne Chang
Page 771
Searching for Roots in Literature and Film. Michael Berry
Page 777
The Writer and the Mad(wo)man. Andrea Bachner
Page 782
The Birth of China’s Literary Avant-Garde. Yu Hua
Page 787
Gao Xing jian’s Pursuit of Freedom in the Spirit of Zhuangzi. Liu Jianmei
Page 791
“Rewriting Literary History” in the New Era of Liberated Thought. Chen Sihe
Page 797
Anything Chinese about This Suicide?. Maghiel van Crevel
Page 803
The Song That Rocked Tiananmen Square. Ao Wang
Page 809
Trauma and Cinematic Lyricism. Emilie Yueh-yu Yeh
Page 815
From the Margins to the Mainstream: A Tale of Two Wangs. Kyle Shernuk and Dylan Suher
Page 821
Meng Jinghui and Avant-Garde Chinese Theater. Claire Conceison
Page 827
The Death of Teresa Teng. Andy Rodekohr
Page 833
Formal Experiments in Qiu Miaojin’s “Lesbian I Ching”. Ari Larissa Heinrich
Page 839
Modern China as Seen from an Island Perspective. Hsinya Huang
Page 845
“The First Modern Asian Gay Novel”. John B. Weinstein
Page 850
Hong Kong’s Literary Retrocession in Three Fantastical Novels. Bonnie S. McDougall
Page 856
Representing the Sinophone, Truly: On Tsai Ming-liang’s I Don’t Want to Sleep Alone. Pheng Cheah
Page 861
The Silversmith of Fiction. Chu T’ien-hsin
Page 867
The Poet in the Machine: Hsia Yü’s Analog Poetry Enters the Digital Age. Brian Skerratt
Page 873
Sixteen-Year-Old Han Han Roughs Up the Literary Scene. Martin Woesler
Page 879
Resurrecting a Postlapsarian Pagoda in a Postrevolutionary World. Tarryn Li-Min Chun
Page 883
Wolf Totemand Nature Writing. Karen L. Thornber
Page 889
Chinese Verse Going Viral: “Removing the Shackles of Poetry”. Heather Inwood and Xiaofei Tian
Page 895
Suddenly Coming into My Own. Li Juan
Page 900
Writer-Wanderer Li Yongping and Chinese Malaysian Literature. Alison M. Groppe
Page 906
Chinese Media Fans Express Patriotism through Parody of Japanese Web Comic. Casey Lee
Page 912
Ang Lee’s Adaptation, Pretense, Transmutation. Darrell William Davis
Page 918
Encountering Shakespeare’s Plays in the Sinophone World. Alexa Huang
Page 924
Defending the Dignity of the Novel. Mo Yan
Page 930
Minority Heritage in the Age of Multiculturalism. Kyle Shernuk
Page 934
Ye Si and Lyricism. Rey Chow
Page 940
Lightning Strikes Twice: “Mother Tongue” Minority Poetry. Mark Bender
Page 946
Chinese Science Fiction Presents the Posthuman Future. Mingwei Song
Page 951
Contributors.
Page 959
Illustration Credits.
Page 987
Index.
Page 989

Edition Notes

Includes bibliographical references and index.

Published in
Cambridge, Massachusetts, London, England
Copyright Date
2017

Classifications

Dewey Decimal Class
895.109
Library of Congress
PL2258 .N49 2017, PL2258.N49 2017, PL2258 .N49 2017eb

Contributors

Editor
David Der-Wei Wang

The Physical Object

Format
Hardcover
Pagination
xxiv, 1001 pages
Number of pages
1001

Edition Identifiers

Open Library
OL27235721M
ISBN 10
0674967917
ISBN 13
9780674967915
LCCN
2016046104
OCLC/WorldCat
959648704, 987949466

Work Identifiers

Work ID
OL20055707W

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