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It was the indifferent shrug and callous inertia that this 'optimism' concealed which so angered Voltaire, who found the 'all for the best' approach a patently inadequate response to suffering, to natural disasters - such as the recent earthquakes in Lima and Lisbon - not to mention the questions of illness and man-made war. Moreover, as the rebel whose satiric genius had earned him not only international acclaim, but two stays in the Bastille, flogging and exile, Voltaire knew personally what suffering involved. In Candide he whisks his young hero and friends through a ludicrous variety of tortures, tragedies and reversals of fortune, in the company of Pangloss, a 'metaphysico-theologo-cosmolo-nigologist' of unflinching optimism. The result is one of the glories of eighteenth-century satire.
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Brought up in the household of a powerful Baron, Candide is an open-minded young man, whose tutor, Pangloss, has instilled in him the belief that 'all is for the best'. But when his love for the Baron's rosy-cheeked daughter is discovered, Candide is cast out to make his own way in the world.
And so he and his various companions begin a breathless tour of Europe, South America and Asia, as an outrageous series of disasters befall them - earthquakes, syphilis, a brush with the Inquisition, murder - sorely testing the young hero's optimism.
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