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Last edited by bgimpertBot
April 16, 2010 | History
This study seeks to explore the nature of chromaticism in modal and tonal music from the 16th century to the opening of the 20th. It is meant primarily for the educated music public that has a thorough grounding in music theory with at least a modicum of historical perspective.
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Book Details
Table of Contents
Introduction
Eleven-pitch-class tonality
The modal gamut in the sixteenth century
Tonality and systems in the seventeenth and early eighteenth centuries
Tonality and systems in the mid- to late-eighteenth century : the classical ideal
Nineteenth-century approaches to eleven-pitch-class systems derived from the Viennese classical tradition
Eleven-pitch-class systems in the music of mid- to late-nineteenth-century romantic composers
The romantic avant garde and the rumblings of modernism.
Edition Notes
Includes bibliographical references (p. [387]-394) and index.
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- Created October 23, 2008
- 4 revisions
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April 16, 2010 | Edited by bgimpertBot | Added goodreads ID. |
December 15, 2009 | Edited by WorkBot | link works |
October 28, 2008 | Edited by ImportBot | Found a matching Library of Congress MARC record |
October 23, 2008 | Created by ImportBot | Imported from Library of Congress MARC record |