An edition of Haydn's ingenious jesting with art (1992)

Haydn's ingenious jesting with art

contexts of musical wit and humor

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Last edited by MARC Bot
April 17, 2025 | History
An edition of Haydn's ingenious jesting with art (1992)

Haydn's ingenious jesting with art

contexts of musical wit and humor

  • 2 Want to read

Wit, humor, and comic effects have been commonly noted in accounts of Joseph Haydn's instrumental music from his own day to ours. Haydn's Ingenious Jesting with Art is a unique critical and historical study of this celebrated aspect of the composer's music and the key role of listeners in its success. "Artful jesting" indicates a strategy that involves the listener as an active interpreter of compositional alternatives in a musical work. Wheelock discusses how Haydn, utilizing the subversive potential of wit in a variety of classical forms, genres, and venues, both challenged and affirmed the musical conventions of his day. The book is divided into three sections, each providing a different perspective on the wit and humor of Haydn's music. Part I, "Coming to Terms," takes a multidisciplinary approach to issues of compositional intent and reception history, focusing on changing values of wit and humor in late eighteenth-century literary sources and reviews of Haydn's music.

Chapter 1, "The Musical Joke: A Laughing Matter?" details the productive role of humor in heightening consciousness of play with the most basic classical conventions. Dependent on often subtle ambiguities, these musical jokes challenged listeners' understanding of how convention and invention should interact, engaging them as participants themselves in a process of completing the jest. Chapter 2 traces important distinctions between wit and humor in a broad range of eighteenth-century sources, both German and English. Chapter 3 examines the critical understanding of the composer as humorist. Such views - both favorable and unfavorable - are inextricably linked with changing attitudes toward the proper role of instrumental music, popular taste, and the role of the composer in fulfilling expectations of increasingly mixed audiences. Part II, "Frames of Reference," establishes several models for investigating the process of jesting in Haydn's instrumental works.

Chapter 4 explores incongruous manners in the composer's symphonic minuets. Wheelock argues that Haydn's fusing of strictly academic and more popular dance styles subverted the measured dignity and refinement of a "proper" minuet, and that such disturbances of the "humors" actually helped to activate the discovery of wit. Chapter 5, "Engaging Wit in the Chamber," examines the metaphor of conversation in connection with Haydn's Opus 33 string quartets, presenting a convincing case that as the voices of the quartet listen and respond to each other the audience is simultaneously engaged in actively mediating this complex dialogue. Chapter 6 explores the deceptions involved in the symphonic finales, where eccentric motives and procedures focus listeners' attention on predicting their progress.

Chapter 7, "The Paradox of Distraction," takes theatrical comedy as a point of departure in locating numerous comic devices akin to fixation, memory lapses, digressions, and incongruous juxtapositions of melody and rhythm. Part III, "The Implicated Listener," examines how Haydn transformed humorous rhetoric into a new aesthetic, and considers the broader implications of comic procedures in instrumental music of the Classic era. Haydn's Ingenious Jesting with Art combines a historical and social perspective with strong critical analysis, appealing not only to students of Haydn's music but also to those interested in the Classic style in general.

Publish Date
Language
English
Pages
269

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Previews available in: English

Edition Availability
Cover of: Haydn's ingenious jesting with art
Haydn's ingenious jesting with art: contexts of musical wit and humor
1992, Schirmer Books, Maxwell Macmillan Canada, Maxwell Macmillan International
in English

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Book Details


Edition Notes

Includes bibliographical references (p. 239-257) and index.

Published in
New York, Toronto, New York

Classifications

Dewey Decimal Class
784/.092
Library of Congress
ML410.H4 W47 1992

The Physical Object

Pagination
xii, 269 p. :
Number of pages
269

Edition Identifiers

Open Library
OL1564980M
Internet Archive
haydnsingeniousj0000whee
ISBN 10
0028728556
LCCN
91046730
OCLC/WorldCat
25248145
LibraryThing
712492
Goodreads
1336817

Work Identifiers

Work ID
OL4124190W

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April 17, 2025 Edited by MARC Bot import existing book
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April 1, 2008 Created by an anonymous user Imported from Scriblio MARC record