The research for this book was begun in an era in which semiotics was considered a useful interpretive tool, but the writing is concluded at a moment in which semiotics itself has become the object of historical and historiographic inquiry.
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1
The Visible Word: Experimental Typography and Modern Art, 1909-1923
January 1, 1997, University Of Chicago Press
Paperback
in English
- New Ed edition
0226165027 9780226165028
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The visible word: experimental typography and modern art, 1909-1923
1994, University of Chicago Press
in English
0226165019 9780226165011
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Edition Notes
Includes bibliographical references (p. 273-287) and index.
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