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Be it in the light fantastic of his early work, or the classic tragedy of La Condition humaine, or the sensuous poetry of the Antimemoires, Andre Malraux uses "farfelu" and related discourses to represent, not the simple "misogyny" of his critics, but a complex image of the symbolism of the sexes and of their interrelations - notably as regards the erotic, maternal, artistic and other aspects of the feminine.
As Domnica Radulescu shows, in phenomenological (Bachelardian) terms, "farfelu" discourse is part of Malraux's creation through art of a true "anti-destiny," a cosmic eroticism which recursively forms the primary material of the poetic imagination.
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Subjects
History, Women and literature, Beauty, Personal, in literature, History and criticism, French Erotic literature, Characters, Sex in literature, Women, Femininity in literature, Malraux, andre, 1901-1976, Erotic literature, history and criticismPeople
André Malraux (1901-1976)Places
FranceTimes
20th centuryShowing 2 featured editions. View all 2 editions?
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1
André Malraux: the "farfelu" as expression of the feminine and the erotic
1994, P. Lang, Lang AG International Academic Publishers, Peter
in English
0820422967 9780820422961
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2
André Malraux: the "farfelu" as expression of the feminine and the erotic
1992
Microform
in English
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Edition Notes
Includes bibliographical references (p. [203]-216).
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- Created April 1, 2008
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