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Lee Lorenz, art editor of The New Yorker for more than two decades, and himself a noted cartoonist, tells and shows how the magazine's distinctive look has gradually developed. In a lively narrative filled with stories of the artists and anecdotes of life at The New Yorker, he talks about the trial and error of the early years as Harold Ross and his fledgling staff worked to translate Ross's original vision into reality.
We witness the quiet revolution the magazine effected in cartoons; we see its fresh, vital, and constantly changing ways of commenting on the world in pictures; we learn how the purpose and look of the covers, and the use of various kinds of interior art, have sometimes almost invisibly and sometimes radically changed, and how the art is chosen.
And interspersed throughout the narrative is the art itself, the published, and unpublished, work of Peter Arno, Helen Hokinson, James Thurber, Saul Steinberg, William Steig, George Price, Charles Addams, George Booth, Roz Chast, Edward Sorel, and their singular peers.
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The Art of the New Yorker, 1925-1995
1995, A. Knopf, Distributed by Random House
in English
- 1st ed.
0679436790 9780679436799
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Includes index.
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- Created April 1, 2008
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July 18, 2024 | Edited by MARC Bot | import existing book |
November 20, 2020 | Edited by MARC Bot | import existing book |
May 24, 2019 | Edited by DriniBot | correct titles |
May 24, 2019 | Edited by DriniBot | Added new cover |
April 1, 2008 | Created by an anonymous user | Imported from Scriblio MARC record |