Blackface

reflections on African-Americans and the movies

1st ed.
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Last edited by MARC Bot
July 14, 2024 | History

Blackface

reflections on African-Americans and the movies

1st ed.
  • 1 Want to read

In this bold new work, Nelson George turns a lifetime of movie-watching and an unexpected career in moviemaking into a book that looks at the African-American screen image from both a historical and a personal viewpoint. Blackface blends stories and anecdotes about the actual experiences of going to, being in, and making movies today with the sharply edged cultural criticism that has made George one of this country's most widely read and respected critics. As always, George explores new territory.

His themes include the impact of movies of all kinds on the youngest African-Americans, starting with his own memories as a seven-year-old watching Zulu and Planet of the Apes, and he casts an eye in particular on the special messages communicated to kids about black roles and role models from Sidney Poitier to Spike Lee.

He takes a new look at the heyday of blaxploitation and the genius of Richard Pryor, describes the early days of the black indies, and raises questions about the kinds of roles black stars and executives are being asked to play in Hollywood today.

Running through the entire book is the story of his own education in the business of creating images. George was one of Spike Lee's early investors, and has been on the scene throughout the great surge of black film, as the Hudlin brothers, John Singleton, Charles Burnett, Julie Dash, and others moved from low-budget independent productions to major Hollywood releases.

This is Nelson George's most personal book, written from his multiple vantages as critic, filmgoer, screenwriter, and, most recently, film producer. It completes his trilogy on black popular culture, moving from music and sports to the movies. It is also a movie memoir that documents how a generation that enjoyed the opportunities created by the civil rights movement decided to manifest their ambitions.

B-boys provided the popular image of nineties African-American youth, but it was a well-educated group of buppies, baps, and bohos who made the films that filled the theaters. Blackface is their story.

Publish Date
Publisher
HarperCollins
Language
English
Pages
224

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Previews available in: English

Edition Availability
Cover of: Blackface
Blackface: reflections on African-Americans and the movies
2002, Cooper Square Press
in English - Expanded ed
Cover of: Blackface
Blackface: Reflections on African Americans in the Movies
April 2002, Cooper Square Press
Paperback in English - Expanded edition
Cover of: Blackface
Blackface : Reflections on African Americans and the Movies
January 1, 1995, Millefleurs
Hardcover
Cover of: Blackface
Blackface: Reflections on African-Americans and the Movies
October 1995, Perennial
Paperback in English - 1st HarperPerennial Ed edition
Cover of: Blackface
Blackface: Reflections on African-Americans and the Movies
October 1995, Perennial
in English
Cover of: Blackface
Blackface: reflections on African-Americans and the movies
1994, HarperCollins
in English - 1st ed.

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Book Details


Edition Notes

Includes index.

Published in
New York

Classifications

Dewey Decimal Class
791.43/6520396073
Library of Congress
PN1995.9.N4 G46 1994, PN1995.9.N4G46 1994

The Physical Object

Pagination
xv, 224 p. :
Number of pages
224

ID Numbers

Open Library
OL1086732M
Internet Archive
blackfacereflect00geor_0
ISBN 10
0060171200
LCCN
94010686
OCLC/WorldCat
30072963
Library Thing
1009339
Goodreads
1962000

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History

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July 14, 2024 Edited by MARC Bot import existing book
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November 18, 2020 Edited by MARC Bot import existing book
April 1, 2008 Created by an anonymous user Imported from Scriblio MARC record