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"The "new German opera" of the late eighteenth and early nineteenth centuries was intended both to reflect the "Germany of the imagination" and to help actualize the vision of a new nation. The search for a new German opera by critics and composers alike was therefore not merely an aesthetic movement, but also a political and social critique. Stephen C.
Meyer examines Weber's operas Der Freischutz and Euryanthe, as well as Etienne Mehul's Joseph and Peter von Winter's Das unterbrochene Opferfest, in light of aesthetic and nationalistic writings of contemporaneous German critics. The volume includes a detailed analysis of the Wolf's Glen scene from Der Freischutz and numerous, previously unavailable English translations of German primary sources."--BOOK JACKET.
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Previews available in: English
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Edition | Availability |
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1
Carl Maria Von Weber and the Search for a German Opera
February 2003, Indiana University Press
Hardcover
in English
025334185X 9780253341853
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2
Carl Maria Von Weber and the Search for a German Opera
2003, Indiana University Press
in English
0253109620 9780253109620
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3
Carl Maria von Weber and the search for a German opera
2002, Indiana University Press
in English
025334185X 9780253341853
|
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WorldCat
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Book Details
First Sentence
"By the end of act 3, scene 2, of Weber's opera Euryanthe, the fortunes of the heroine have reached their lowest ebb."
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