Volume II
Acknowledgements
Preface
Foreword
Introduction
Simple Time
Organization of the measure in 2,3 and 4 undivided beats Compound Time
Organization of the measure in 2,3 and 4 undivided beats Simple Time
Division of the beat into 2 equal parts Compound Time
Division of the beat into 3 equal parts Simple Time
Undivided beat and division of the beat into 2 and 4 equal parts Changing and Composite Meters I
Dots I
Mixed Divisions I
Simple and compound time; mixtures of natural and unnatural divisions (2, 3 & 4)
Polyrhythms I
Mixed Divisions II

Quotes about Rhythm, Time and Music
Binary sequence & Ternary sequence
Natural and artificial divisions of binary and ternary note values
Time Signatures
Notes which fill one or more beats
Dots: precise mathematical values of dots
Rhythm Lexicon
Conducting patterns
Note names in various languages
Modern and ancient notation compared
Theory for the derivation of all rhythms
Gardner Reed Table of tempo indications and The metronome
Suggested first assignment
Bibliography
Biography
Recommendations
Volume II
Quintuple Meters
Quintuplets or Quintolets: Division of the beat into 5 parts
Sextuplets or Sextolets: Division of the beat into 6 equal parts
Septuple Meters
Septuplets or Septolets: Division of the beat into 7 equal parts
Octuplets or Octolets: Division of the beat into 8 equal parts
Dots II
Changing and Composite Meters II
Mixed Divisions II: Divisions of the beat into 2, 3, 4, 5, 6, 7 and 8 equal parts
Polyrhythms II
Two-Part Exercises
Polymeters
Two-Part Polyrhythmic Exercises
Five-and Seven-Beat Measures in Compound Time

Volume III: Rhythm Dictation: Corresponding to each chapter
Volume IV: Musical Examples: Medieval to 20th Century