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"Music theory is often seen as an arcane and somewhat forbidding discipline which stands at a distance from the sweet pleasure and sensuous thrill that is music. Theory, according to this view, is concerned with scales and chords and intervals, or with complicated and highly abstract systems of musical relationships. It is not concerned with how music captivates us. But Lawrence Zbikowski argues that this common view of music theory is wrong. Theorizing about music is something we do every time we try to make sense of our musical experience, and it involves the same cognitive capacities we use to make sense of the world as a whole.
The play of concepts and conceptual structures typical of music theory is thus not something remote from our appreciation of music, but is instead basic to it."--Jacket.
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Subjects
Musical analysis, Cognition, Musical perception| Edition | Availability |
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1
Conceptualizing Music: Cognitive Structure, Theory, and Analysis (AMS Studies in Music)
October 10, 2005, Oxford University Press, USA
in English
0195187970 9780195187977
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2
Conceptualizing Music: Cognitive Structure, Theory, and Analysis
2002, Oxford University Press
in English
1280481404 9781280481406
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zzzz
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3
Conceptualizing Music: Cognitive Structure, Theory, and Analysis (Ams Studies in Music Series)
October 18, 2002, Oxford University Press, USA
in English
0195140230 9780195140231
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aaaa
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4
Conceptualizing Music: Cognitive Structure, Theory, and Analysis
2002, Ebsco Publishing
in English
019803217X 9780198032175
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Book Details
First Sentence
"In the opening eleven measures of the prelude to Richard Wagner's Tristan und Isolde there are three successive statements of a melodic motive that foreshadows, and then later accompanies, the tragic arc of the opera."
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| August 16, 2024 | Edited by MARC Bot | import existing book |
| July 28, 2014 | Edited by ImportBot | import new book |
| April 28, 2010 | Edited by Open Library Bot | Linked existing covers to the work. |
| December 10, 2009 | Created by WorkBot | add works page |


