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Table of Contents
The technique of the modern short story: I. Focusing of the story
II. The point of view
III. Order and movement
IV. Character-drawing
V. Setting
VI. Two special kinds of technique
VII. Constraints and variables
Specimens of the modern short story: Section one: Unlighted lamps / Sherwood Anderson
In necessity's mortar / James Branch Cabell
Ashes / Julia Peterkin
The last day / Michel Corday
Section two: Dusting / John McIntyre
The singing lesson / Katherine Mansfield
Grandma / Thrya Samter Winslow
The Punch and Judy Show / Mary Lispenard Cooper
The mouse / Laura Spencer Portor
A son of the gods / Ambrose Bierce
"Cafard" / John Galsworthy
Section three: The almond tree / Walker de la Mare
Laughter / L.N. Andreyev
The first short dress / Huguette Garnier
The mystery of Stella / E. Barrington
Section four: The doll in the pink silk dress / Leonard Merrick
Amy Foster / Joseph Conrad
The man in a case / Anton Chekhov
The two business men / Mary Johnston
Gabriel-Ernest / "Saki" (H.H. Munro)
Little Miss Millett / Marin Armstrong
Section five: About the lillies of Sanluigi / Frederick Baron Corvo
Four meetings / Henry James
The sign of the broken sword / G.K. Chesterton
Section six: Sailor! sailor! / Wilbur Daniel Steele
Biographical notes
An analysis of Joseph Conrad's story "Amy Foster"
Suggested additional reading.
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