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As it charts the hypnotized progress of Humbert Humbert, a hypercivilized and amoral European emigre, into the orbit of a treacherously lovely and utterly unimpressionable preteen, Lolita: A Screenplay gleefully demolishes a host of stereotypes - sexual, moral, and aesthetic. Not least among the casualties is the notion that cinema and literature are two separate spheres.
For in his screenplay, Nabokov married the structural and narrative felicities of great cinema to prose as sensuously entrancing as any he had ever written, resulting in a work that will delight cineasts and Nabokovians alike.
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Lolita: a screenplay
1997, Vintage Books
in English
- 1st Vintage International ed.
0679772553 9780679772552
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Lolita: A Screenplay
1983, McGraw-Hill Book Company
Paperback
in English
- First paperback edition
0070457689 9780070457683
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Book Details
Edition Notes
Originally published: New York : McGraw-Hill, 1974.
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Work Description
Here is the text of Nabokov's own screen adaptation of his celebrated novel, written in California in 1960 for the director Stanley Kubrick. The film was made by Kubrick, with heavy modifications of Nabokov's script, and released in 1962 - a critical and commercial success. In his forward to this book, Nabokov records his reaction upon seeing the final result - "a mixture of aggravation, regret, and reluctant pleasure...Kubrick saw my novel in one way, I saw it in another."
This book provides a fascinating look into the creative process, showing a writer's struggle to turn his own literary masterpiece into a movie script. This is a must for students of the problems of novels versus movies and for fans of Lolita, the novel and the movie.
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