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From the flyleaf:
"I was only a boy when I made my first climb to the high country—Mt. Tallac, on the California side of Lake Tahoe," writes Bill Hotchkiss. "Two days on a mountain, the great cliffs, the snowbanks melting out, timberline, a diminished sense of human importance, and from the summit the unimagined perspective of the Sierra, of Desolation Valley and of the higher peaks off to the south. And the **wilderness*." Surely the rising tide of technological civilization would never reach this watermark."
In these poems, Bill Hotchkiss shares with us his knowledge of this country, a knowledge as probing and detailed as Gary Snyder's of the Pacific Northwest. Also like Snyder, Hotchkiss writes in direct yet luminous language, always sensitive to reflections of the Sierran landscape and its animal and human inhabitants in his own inner landscape.
I climbed in a rainstorm as ancient
As the peak itself, my body a oneness
With the far beginnings of life—
The great heights of the mountains,
The great heights of the swirling dark clouds
And thin forkings and white jets of lightning....
[stanza]
These mountains do not cry for tragedy—
They cry for peace.
They do not need us,
Do not want us,
Will applaud with claps of thunder
When the human race is gone.
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Table of Contents
13 Witness of Creation
17 Waiting for Rain
18 Indian Summer
20 Await the Great Turning
21 The Beginning of Spring
22 At the End of the Gorge
24 May Midnight
25 Cosumnes River Idyll
26 Full Moon in August
28 The Mountain, the Hawk
29 Rain Fell Last Night
30 A Blossom of Sea and Night
31 Judith:
32 A Moment with No Time
33 In Calaveras County
36 Night, Morning, Woodpecker Ravine
37 After the Flood
39 In the White Silence
42 The Dry Winter
43 Below Chalk Bluff
44 Ghosts at Mal Paso
45 For Robinson Jeffers
47 Portrait of William Everson
48 The Ruined Cane--A portrait of my Father
50 This Year, This Age
51 A Numbness at the Heart
52 Bill Henry
53 Sardine Falls
54 For Judith
56 Coyote Sequence
59 Above Timberline
60 Climb to the High Country
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