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"The reuse of past images, plots, and genres from film history has become a prominent feature of contemporary culture. Vera Dika explores this practice from a broad range of critical perspectives, examining works of art and film that resist the pull of the past. Dika provides an in-depth analysis of works in several media, including performance, photography, Punk film, as well as mainstream American and European films. Noting the renewed importance of the image and of genre, she investigates works as diverse as Cindy Sherman's Untitled Film Stills, Amos Poe's The Foreigner, Terence Malick's Badlands, and Francis Ford Coppola's One Flew from the Heart. Her study positions avantgarde art work within the context of contemporary mainstream film practice, as well as in relationship to each work's historical moment."--Jacket.
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Recycled culture in contemporary art and film : the uses of nostalgia
2003, Cambridge University Press
in English
0521815681 9780521815680
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Includes bibliographical references (p. 231-235) and index.
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