The historical performance of music
an introduction
by Colin Lawson
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Offering students and performers a concise overview of historical performance, this book takes into account the many significant developments in the discipline, particularly during the last decade. It addresses practical matters rather than philosophical issues and guides readers towards further investigation and interpretation of the evidence provided, not only in the various early instrumental and vocal treatises, but also in examples from the mainstream repertory. Designed as a parent volume for the series Cambridge Handbooks to the Historical Performance of Music, this book provides an historical basis for artistic decision-making which has as its goal the re-creation of performances as close as possible to the composer's original conception. It relates many of the issues discussed to major works by Bach, Mozart, Berlioz and Brahms, composed c. 1700-c. 1900, the core period which forms the principal (though not exclusive) focus for the whole series.
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1
Historical Performance of Music: An Introduction
2009, Cambridge University Press
in English
0511481713 9780511481710
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The Historical Performance of Music
1999, Cambridge University Press
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in English
0511035225 9780511035227
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The historical performance of music: an introduction
1999, Cambridge University Press
in English
0521621933 9780521621939
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Historical Performance of Music: An Introduction
1999, Cambridge University Press
in English
0511050461 9780511050466
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Book Details
Edition Notes
Includes bibliographical references (p. 199-208) and index.
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