An edition of Chopin 1810-2010
(2017)
Chopin 1810-2010
ideas, interpretations, influence : the Third International Chopin Congress, Warsaw, 25 February to 1 March 2010
by Irena Poniatowska, Zofia Chechlińska, Narodowy Instytut Fryderyka Chopina, and Poland) International Chopin Congress (3...
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"The congress book Chopin 1810-2010 Ideas--Interpretations--Influence contains proceedings from the Third International Chopin Congress (organised in Warsaw by the Fryderyk Chopin Institute from 25 February to 1 March 2010 the bicentenary of the composer's birth). Volume I comprises texts dealing with several areas: Chopin's life, the historical context of his creative process, current aesthetic trends and their influence on the composer ('Chopin's Personality, Heritage and Milieu'); sources, methodology, historical and contemporary traditions and performance styles, analysis of works ('Interpretations of Chopin's music'); the functioning of Chopin's music in the world today ('Chopin in Contemporary Culture'). Gathered together in volume II are papers representing different approaches to the subject of 'The Influence of Chopin and his Music' on the output of writers, artists and other composers, perceptions of Chopin and the reception of his music."
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Chopin 1810-2010: ideas, interpretations, influence : the Third International Chopin Congress, Warsaw, 25 February to 1 March 2010
2017, The Fryderyk Chopin Institute
in English, French, and German
8361142533 9788361142539
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Book Details
Table of Contents
Introduction -- Irena Poniatowska
La correspondance de Frédéric Chopin. Aspects de la nouvelle édition -- Zofia Helman
Chopin's first editions: Documenting a creative history -- John Rink (with Christophe Grabowski)
Quand Chopin annote pour une élève Das Wohltemperierte Klavier -- Jean-Jacques Eigeldinger -- Part I: Chopin's Personality, Heritage and Milieu.
Nicolas Chopin dans le champ de daimonion de Frédéric Chopin -- Ewa Zarzycka ;
Le milieu éducatif de Frédéric Chopin -- Piotr Mysłakowski ;
Adolf Gutmann as a pianist-composer and as a friend of Fryderyk Chopin -- Ewa Sławińska-Dahlig ;
The Chopin family: the myths and the reality -- Andrzej Sikorski ;
A lifelong friendship of exiles---Matuszyński and Chopin -- Kazumi Oshima ;
Chopin's pencil -- Jeffrey Kallberg ;
Consumer music as a stylistic context for Chopin -- Jonathan D. Bellman ;
Chopin and the discourse on the old regime under the July monarchy -- Jolanta T. Pekacz ;
Chopin---Kessler -- Pierre Goy ;
Le manuscrt de l'Étude en fa mineur op. 25 no 2 de Frédéric Chopin dans l'album d'Antoni Teichmann---de la Collection "Fryderyk Chopin et George Sand" à Vallemossa -- Bożena Schmid-Adamczyk ;
New research into the diseases suffered by Fryderyk Chopin. Documented evidence of chronic carbon monoxide poisoning during his stay in Majorca in the winter of 1838-39 -- Jordi Desola ;
Chopin and the Stammbuch tradition: conventions and contexts -- Halina Goldberg ;
Old and new Chopiniana in the National Library in Warsaw as a contribution to research into Fryderyk Chopin's life and work (research report) -- Mariola Nałęcz ;
Chopin and the University of Warsaw. A musical genius among artists and scholars -- Jerzy Miziołek -- Part II: Interpretations of Chopin's Music.
The semiotic forces in Chopin's music -- Eero Tarasti ;
Chopin est-il de sensibilité libérale? -- Bruno Moysan ;onarchy
Fryderyk Chopin's contacts with European ethnic music -- Piotr Dahlig ;
Chopin, Bellini et le belcanto italien -- Raoul Meloncelli ;
New observations on Chopin and contemporary vocal treatises -- Marco Bizzarini ;
Rhythm of variability -- Artur Szklener ;
Fryderyk Chopin in the context of trends in dance culture during the first half of the nineteenth century -- Tomasz Nowak ;
The Mazurka: before and after Chopin -- Ewa Dahlig-Turek ;
Le rôle du timbre dans le renouvellement des formes pianistiques chez Chopin -- Nathalie Hérold ;
Chopin and the meaning of keys -- Zofia Chechlińska ;
Tragedy, pathos and heroism: the expressive meaning of Chopin's use of the C Minor key in the context of the romantic tradition -- Andrzej Tuchowski ;
The historical context of the tonal dramaturgy in Fryderyk Chopin's Sonata, Op. 35 -- Stefan Keym ;
F-dur bei Chopin -- Petra Weber ; ;
Chopin est-il de sensibilité libérale? -- Bruno Moysan ;onarchy
The meaning and metaphors of 'Night' in the Nocturnes of John Field and Fryderyk Chopin -- Andreas Waczkat ;
Memory and non-linear, end-oriented coherence in Chopin's nocturnes -- Adriana Ponce ;
Hidden repetition in two Chopin 'Chorale Nocturnes' -- David Heyer ;
Time in Chopin's Ballades as the expression of Romantic aesthetics -- Konstantin Vladimirovich Zenkin ;
Chopin the postmodernist: redefining narrativity in selected piano compositions -- Zbigniew Granat ;
Die Knotenpunkte, schwellen, phasen und fixationen des schöpferischen weges von Chopin -- Mieczysław Tomaszewski ;
Chopin im spiegel der briefe Felix Mendelssohn Bartholdys -- Helmut Loos ;
Chopin---Liszt---Fontana. Intertextuelle verbindungen -- Magdalena Oliferko ;
Cyclic aspects of Chopin's twenty-four Preludes, Op. 28 in analysis and performance -- Anatole Leikin ;Keym ;
F-dur bei Chopin -- Petra Weber ; ;
Chopin est-il de sensibilité libérale? -- Bruno Moysan ;onarchy
Les Préludes op. 28 de Frédéric Chopin, études à la lumière des problèmes envisagés par le compositeur dans sa Méthode de piano -- Maria Warchoł-Sobiesiak ;
A prelude as postlude: Schenker's graph of the last movement of the Sonata, Op. 35 -- Antonio Cascelli -- Part III: Chopin in contemporary culture.
The reception of Chopin and his music in Polish society -- Barbara Pabjan ;
'The Pianist' plays: Chopin's G Minor ballade as reflexive narrative -- Barbara Berry -- Part IV: The influence of Chopin and his music.
Vladimir de Pachmann and Chopin -- Nigel Nettheim ;
Flash time: how is Tempo Rubato performed? The timing of sounds from bars 51-53 of Fryderyk Chopin's Nocturne in D flat major, Op. 27 No. 2, as recorded by pianists from various periods -- Alicja Kraft, Emilia Kołodziej, Piotr Dębski, Barbara Śnieżek, Agnieszka Cieślak, Monika Poroszewska, Michalina Wierzbicka, Paulina Klebba, Kacper Miklaszewski ;o Moysan ;onarchy
Josephine Lang's Mazurkas: evidence of Chopin's influence in Munich -- Harald Krebs ;
Chopin à quatre mains -- Joachim Draheim ;
L'évolution des premières éditions des œuvres de Chopin au cours de la seconde moitié du XIX siècle -- Christophe Grabowski ;
Franz Liszt et Laura Rappoldi-Kahrer face aux Préludes de Chopin: Enjeux esthétiques et philologiques -- Nicolas Dufetel ;
L'interprétation "idéale" des Nocturnes de Chopin par Artur Rubinstein -- Irena Poniatowska ;
Navigating the virtuoso path: Chopin's professional tactics in Paris -- Alicia C. Levin ;
Improvisatory or purposeful? Divergent pedallings in original French and German editions of Chopin's later works -- Sandra P. Rosenblum ;
Pedalling the Chopin concertos: Chopin and the Stile Brillante -- Martin S. Hansen ;
Understanding Chopin's cantabile -- Stephanie Frakes ;
Structural coupling in the coda of Chopin's barcarolle -- Alison Hood ;zewski ;o Moysan ;onarchy
Huneker on Chopin---elitist or educator? -- James Methuen-Campbell ;
Chopin gourmet -- Wojciech Bońkowski ;
Julian Fontana introducteur de Chopin à Cuba -- Cecilio Tieles Ferrer ;
Chopin and the Ninth: a comparison of the original with a new orchestral version of the Prelude, Op. 45 -- Charles Bodman Rae ;
Zwie generative ideen in Chopins Präludiensammlung op. 28 -- Hartmuth Kinzler ;
Skizzennotate aus der warschauer zeit---keimzellen zu den Etüden op. 10 und op. 25? -- Norbert Müllemann ;
Die "Polnische Kadenz" bei Chopin als Austruck des einflusses der polnischen Sprache auf die Nationalmusik -- Krzysztof Bilica ;
Chopin und das Beethoven-Denkmal in Bonn -- Krzysztof Rottermund ;
Ludwig Rellstab critique de Chopin -- Zbigniew Skowron ;
Chopin malmené par la critique. Un aspect de la réception de Chopin en France aux XIX et XX siècles -- Marie-Paule Rambeau ;oda of Chopin's barcarolle / -- Alison Hood ;zewski ;o Moysan ;onarchy
Entre compositeur et compositeur de salon: la "canonisation" de Chopin en Angleterre (1848-1914) -- Rosalba Agresta ;
Vladimir Stasov on the art of Fryderyk Chopin -- Irina Nikolska ;
From 'eternal eloquence' to 'what does he know?' Chopin and his music in English-language poetry -- Maja Trochimczyk ;
The legacy of Chopin's dance: Taglioni, Fokine, Mikuli and Schenker -- David Kasunic ;
The dispute concerning the Chopin piano competition and the Polish school of Chopin performance -- Magdalena Dziadek ;
Le piano de Jane Wilhelmina Stirling au Musée de l'Université Jagellonne. Fausse attribution -- Bożena Weber, Irena Poniatowska ;
Chopin inter arma -- Katarzyna Naliwajek-Mazurek ;
Chopin in Stalinist Poland -- Slawomir Wieczorek ;
"Le syndrome chopinien" dans la musique pour piano d'Alexandre Tansman -- Małgorzata Gamrat ;
The meaning of Chopin's original compositions dispersed through their nineteenth-century transcriptions -- Barbara Literska ;
Zarębski---Chopin's successor? -- Magdalena Chylińska ;
Mannerism, miniaturism and the 'Chopinesque' in the Russian Fin de Siècle -- Stephen Downes ;
The ballads of Tchaikovsky as a continuation of Chopin's genre -- Iza Nemirovskaya ;
Chopin et l'Espagne: nouvelles perspectives -- María Nagore Ferrer ;
Fryderyk Chopin: un modèle musical et éthique fondamental pour Manuel de Falla -- Yvan Nommick ;
The transmission of Chopin's technique through Spanish romantic piano pedagogy -- M. Carmen García Mallo ;
Fryderyk Chopin and the concept of 'Czech-Slavic style' -- Jiři Kopecký ;
Between inspiration and paraphrase---the influence of Chopin's music on piano works by Sergei Bortkiewicz -- Agnieszka Kościelak-Nadolska ;
Chopin and reflections of his music in works by Lithuanian composers -- Audronė Žiūraitytė ;
Chopin's legacy in France: the music of Gabriel Fauré -- James William Sobaskie ;ury transcriptions / -- Barbara Literska ;
The first century of Chopin's reception in Denmark -- Knud Ketting ;
Chopin in Denmark---why not? -- Eva Maria Jensen ;
Schoenberg's Chopin -- Marcin Krajewski ;
Back to the future: Chopin in Smalley -- Christopher Mark ;
Chopin und die "Neuromantik" -- Arnfried Edler.
Edition Notes
Includes bibliographical references and index of authors.
Text in English, French, and German.
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