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The study of medieval and Renaissance music relies heavily on scholarly editions and translations of theoretical and liturgical sources to provide means of interpreting notation, style, and compositional processes. The editing of these texts and sources remains challenging for professional musicologists and social historians, as all musicologists must either translate or use translations of text for their own research.
The five essays in this collection deal with the problems inherent in editing and translating writings on such diverse subjects as music theory, harmonic science, composition, sociology, liturgy, and performance practice.
The papers represent a variety of disciplines, not only in respect to their fields of inquiry, but with respect to the study of music itself, which embraces musicology and ethnomusicology, historical and systematic research, philology and hermeneutics. Throughout is the common thread of the legacy of the ancient classics, in general and in particular, as a stable element in music discourse.
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1
Music discourse from classical to early modern times: editing and translating texts : papers given at the Twenty-sixth Annual Conference on Editorial Problems, University of Toronto, 19-20 October 1990
1997, University of Toronto Press
in English
0802009727 9780802009722
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2
Music discourse from classical to early modern times: editing and translating texts : papers given at the Twenty-sixth Annual Conference on Editorial Problems, University of Toronto, 19-20 October 1990
1997, University of Toronto Press
in English
0404636764 9780404636760
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