An edition of Fatal fascinations
(2013)
Fatal fascinations
cultural manifestations of crime and violence
by S. Bray and Gérald Préher
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Crime in literature, Violence in literature| Edition | Availability |
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Fatal fascinations: cultural manifestations of crime and violence
2013, Cambridge Scholars Publishing
in English
1443851345 9781443851343
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Book Details
Table of Contents
Crime and violence in fiction. First steps towards a theology of English detective fiction
Policing madness, diagnosing badness : personality disorder and criminal behaviour in Sebastian Faulk's Engleby
The otherness within, the otherness without : William Gilmore Summs's "Confessions of a murderer"
Dancing to the rhythm of the triple why-dunnit : Toni Morrison's Jazz as crime story
"Slaughter without the blood" : crimes of love in Toni Morrison's Trilogy
Exploring the pertinence of "violent" as an epithet for Joyce Carol Oate's crime fiction
Crime and violence on the stage and screen. Bloody Sam : Sam Peckinpah, violence, conflict and the construction of history
"What is crime, what constitutes violence... where and when?" : reflections on two new rewritings of Oliver Twist for the screen
"It's all unclear" : the "reality" of Bret Easton Ellis's American psycho and its position within the lilterary conventions of contemporary Gothic fiction
A serial killer with a heart : crime and morality in Dexter
A brief moment in the great postcolonial story : representations of crime in contemporary South African theatre
Dramatizing the violence : MIchel Vinaver's 11 septembre 2001
Crime and violence in society. Literary black hats : the representation of the criminal in 18th century crime literature
U.S. juvenile justice and the super-predator theory
Violence on the menu : representations of meat in fictional and non-fictional texts and contexts
A worthy victim? How media stories are influenced and distorted by society's perception of beauty.
Edition Notes
Includes bibliographical references and index.
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| October 4, 2024 | Created by MARC Bot | import new book |