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Despite Nicolas Abraham's fame as a psychoanalyst and philosopher, few people are aware of the direct relevance of his work to issues of poetics and literary theory. The fourth volume of his posthumous publication, Rhythms explores the relationship between the interpretation of texts and psychoanalysis.
The three essays offer a new approach to the problem of literary creation and a psychoanalytic definition of temporality. In contradistinction to both Husserl and Heidegger in the German tradition, and Sartre and Merleau-Ponty in France, Abraham links the emergence of human time to a form of poetic creation. He identifies in rhythm a previously unexplored mode of inquiry elicited by poetry and by what may be called one's life as a work of art.
In Rhythms, Abraham develops a systematic theory of the poetic position of writers, readers, and psychoanalysts.
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Rhythms: On the Work, Translation, and Psychoanalysis (Meridian : Crossing Aesthetics)
September 1995, Stanford University Press
Paperback
in English
0804725039 9780804725033
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Rhythms: On the Work, Translation, and Psychoanalysis (Meridian : Crossing Aesthetics)
September 1995, Stanford University Press
Hardcover
in English
0804725020 9780804725026
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3
Rhythms: on the work, translation, and psychoanalysis
1995, Stanford University Press
in English
0804725020 9780804725026
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Book Details
Table of Contents
Edition Notes
Includes bibliographical references (p. 157-169).
Collection of three previously unpublished essays written between 1948 and 1962.
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