An edition of Fascist spectacle (1997)

Fascist spectacle

the aesthetics of power in Mussolini's Italy

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Last edited by MARC Bot
July 18, 2024 | History
An edition of Fascist spectacle (1997)

Fascist spectacle

the aesthetics of power in Mussolini's Italy

  • 5.0 (1 rating)
  • 1 Want to read

"At the end of October 1922, in a whirlwind of events and unexpected circumstances, Benito Mussolini became prime minister of Italy. For the next twenty years, he dominated Italy as a cult hero and the duce of fascism and, later, founder of the empire. This richly textured cultural history traces the narrative path that accompanied the making of the fascist regime and the construction of Mussolini's power."--BOOK JACKET.

"Simonetta Falasca-Zamponi reads fascist myths, rituals, images, and speeches as texts that tell the story of fascism. Linking Mussolini's elaboration of a new style of rule to the shaping of the regime's identity, she finds that in searching for symbolic means and forms to represent its political novelty, fascism actually created its own power, its own happening, its history."--BOOK JACKET.

Publish Date
Language
English
Pages
303

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Edition Availability
Cover of: Fascist Spectacle
Fascist Spectacle: The Aesthetics of Power in Mussolini's Italy (Studies on the History of Society and Culture)
August 7, 2000, University of California Press
Paperback in English - 1 edition
Cover of: Fascist spectacle
Fascist spectacle: the aesthetics of power in Mussolini's Italy
1997, University of California Press
in English

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Book Details


Edition Notes

Includes bibliographical references (p. 267-293) and index.

Published in
Berkeley
Series
Studies on the history of society and culture ;, 28

Classifications

Dewey Decimal Class
320.5/33/0945
Library of Congress
DG571 .F2 1997, DG571.F2 1997

The Physical Object

Pagination
xi, 303 p. :
Number of pages
303

Edition Identifiers

Open Library
OL990477M
ISBN 10
0520206231
LCCN
96028827
OCLC/WorldCat
34984368
LibraryThing
442936
Goodreads
3451658

Work Identifiers

Work ID
OL3285565W

Excerpts

In a speech delivered in 1926, on the occasion of the Novecento art exhibit, Mussolini confessed that the question of the relationship between art and politics was challenging and certainly troubled his thoughts.
added anonymously.

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