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Subjects
Opera, Musical theater, History and criticismEdition | Availability |
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Musical theatre as high culture?: the cultural discourse on opera and operetta in the 19th century = Glazbeno kazalište kao elitna kultura? : kulturološki diskurs o operi i opereti u 19. stoljeću
2011, Croatian Musicological Society
in English
9536090392 9789536090396
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Book Details
Table of Contents
Operas of the Irish mind: cultural theory, literary reception and the question of "Irishness" in nineteenth-century opera / Harry White
From Lucy Ashton's song to Lucia di Lammermoor's lament: Sir Walter Scott's perfect Gothic novel and the composers / Lynda Payne
Reception models of "popular" and "high" music theatre in the Parisian Theatre di Châtelet / Geza zur Nieden
The Czechs as cultural role models: cultural transfer from Bohemia to South-eastern Europe in the late Habsburg Empire / Philipp Ther
The Croatian late 19th century opera and operetta in Croatian musical-historical syntheses / Sanja Majer-Bobetko
Opera and operetta in the late nineteenth-century Zagreb National Theatre: composers, librettists, and themes: a comparison / Vjera Katalinić
From the theatre to the aristocratic drawing-room: locations of opera and operetta performances in Zagreb / Nada Bezić
From Nicolai to Offenbach: international operetta at the Budapest Opera House, 1880s-1900s / Markian Prokopovych
Was opera in Italy the nineteenth century's pop music?: diverse aspects of opera in Milan before Italian unification / Raffaella Bianchi
From central Europe to Broadway: adaptations of continental operettas for the American stage, 1915-1917 / William A. Everett
Opera, hypnosis and rollerskating: the rise of the Italian Politeami as multiple-use theatres / Jutta Toelle.
Edition Notes
"A collection of papers delivered at an international scholarly conference held in Zagreb between 24 and 25 November 2006, organized by the Croatian Musicological Society"--Fly leaf.
Includes bibliographical references and index.
In English; summaries in English or Serbo-Croation.
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