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For a decade, street artist Vincent Glowinski Bonom (aka Bonom) has been scattering - under the pseudonym Bonom - skeletons, animals or characters in the most striking places if Brussels and Paris. The originality of his universe, combined with a personal style, a sense of space and a taste for risk, make him considered as one of the most interesting artists of his generation. 0Today, freed from his fictional character, Vincent Glowinski works open. He invites his mother, the sculptor Agnès Debizet, to take part in the adventure. 00The exhibition and the book that goes with it illustrate the meeting of two artists and the dialogue bewteen two artistic universes. 0Crossed interviews put into parallel Agnès Debizet's thirty years of artistic production, presented like a cabinet of curiosities, and previously unseen work and artistic interventions from Vincent Glowinski, influenced by his passion for natural history museums. The exhibition space thus turns into a personal and fanciful museum. 0The book includes a photo portfolio from the film maker Mario Brenta, taken both in France, in a place that is simultaneously the family home and Agnès Debizet's space of creation, and in Vincent Glowinski's workshop, in Brussels. 00Exhibition: Botanique, Brussels, Belgium (25.02-17.04.2016).
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Subjects
Belgian Art, Exhibitions, Belgian Sculpture, Installations (Art)Places
BelgiumTimes
20th century, 21st centuryShowing 1 featured edition. View all 1 editions?
Edition | Availability |
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1
Mater museum: Vincent Glowinki, Agnès Debizet
2016, CFC-Editions
in English
2875720163 9782875720160
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Book Details
Edition Notes
Catalog of an exhibition held at Botanique, February 25-April 17, 2016.
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The Physical Object
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Feedback?December 20, 2022 | Created by MARC Bot | import new book |