Brady's words sum up a musical conception of the cosmos, and Purcell's music offers auricular proof: jarring chords by tremulous strings on "jarring Seeds" beg for resolution, voices agree homo-phonically on "agree" and scatter in separate lines on "scatter'd," various voice parts sing "various Parts," modulation displays harmonic proportions on "true proportion," and a lingering cadence on "one Perfect Harmony" ends with one perfect tonic chord.
An edition of Poetry and music in seventeenth-century England
(1997)
Poetry and music in seventeenth-century England
by Diane Kelsey McColley
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Subjects
History and criticism, Vocal music, Music, English poetry, Philosophy and aesthetics, Music and literature, History, Music, philosophy and aesthetics, Vocal music, history and criticism, English poetry, history and criticism, early modern, 1500-1700, Poetry (poetic works by one author)Places
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Poetry and Music in Seventeenth-Century England
April 23, 2007, Cambridge University Press
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in English
- 1 edition
0521036291 9780521036290
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Poetry and music in seventeenth-century England
1997, Cambridge University Press
in English
0521593638 9780521593632
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Discography: p. 275-280.
Includes bibliographical references (p. 281-299) and index.
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