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Explores the nature of our responses to spatial constructs, from various sorts of buildings to gardens and outdoor spaces, to constructions of fantasy. To the degree that this response can be calculated, it can serve as a typology for the design of significant spaces, one that would sharply contrast with the Cartesian model that dominates architecture today. In developing this typology, the authors consult the environmental sciences, anthropology, psychology, and architectural theory, as well as the spatial analysis found in literary depiction. Finally, they examine the opportunities that CAVE and other immersive virtual reality technologies present in furthering a new, sensory-oriented design paradigm. The result is a new philosophy of design that both celebrates our sensuous occupation of the built environment and creates more humane design. [publisher web site].
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Subjects
Aesthetics, Design, Psychological aspects, Senses and sensation| Edition | Availability |
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Sensory Design
March 2004, University of Minnesota Press
Paperback
in English
0816639604 9780816639601
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Sensory Design is an excellent book, although I have to admit to being slightly confused by its title. Initially, I expected a rather prosaic discussion of why designers should concentrate as much on, for example, smell and soundscapes as vision and form. True, the book does exactly this….But there is so much more besides. In fact, it’s as much ‘Poetics of Space’ and ‘Phenomenology of Perception’ as ‘Sensory Design.’ Bachelard and Merleau-Ponty have been merged with Lewis Carroll, Mark Twain, Freud and Jung to create a literary, poetic and scientific analysis of how and why we experience spaces and places in the way we do….This is a serious body of work, and a rewarding object of study….Sensory Design is an important and thoroughly considered design polemic. – Bobby Open, The Architectural Review, January 2005.

