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Sigmar PolkeEdition | Availability |
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Alibis: Sigmar Polke 1963-2010
2014, The Museum of Modern Art, New York, imusti
in English
0870708899 9780870708893
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Book Details
Table of Contents
Foreword / -- Glenn D. Lowry, Chris Dercon -- Acknowledgments / -- Kathy Halbreich
Polke in context: a chronology -- Kathrin Rottmann
Alibis: an introduction -- Kathy Halbreich
Eight days a week -- Lanka Tattersall
From Moderne Kunst to Entartete Kunst: Polke and abstraction -- Mark Godfrey
Between practice and product: Polke's films -- Barbara Engelbach
For hire: Polke's Girlfriends -- Christophe Cherix
Higher beings send peas -- Tacita Dean
Impure lineage: Cardboardology -- Christian Rattemeyer
Polke's particles -- Rachel Jans
Photographing in a painterly way: Polke's Bowery photographs -- Stefan Gronert
Bad dad -- Jutta Koether
c. 1976 -- an interview with Benjamin Buchloh
Partial view: Sigmar Polke's reception in the United States in the 1980s -- Magnus Schaefer
Sloppy in detail -- Matthias Mühling
Making history: Watchtower II and photography -- Marcelle Polednik
Hallucination machines -- John Kelsey
Polke's patterns -- Christine Mehring
Sins and precious stones: Polke's windows at Grossmünster -- Paul Chan-- Selected bibliography, 1997-2013 /-- Erhard Klein.
Edition Notes
Catalog of an exhibition held at the Museum of Modern Art, New York, April 19-August 3, 2014, the Tate Modern, London, England, October 1, 2014-February 8, 2015, and at the Museum Ludwig, Cologne, Germany, March 14-July 5, 2015.
"Published to accompany the first comprehensive retrospective of Polke's work, organized by The Museum of Modern Art, New York, with Tate Modern, London, and begun with the artist before his death, in 2010"--Accompanying sheet.
Includes bibliographical references (page 301-309) and index.
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