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This text surveys the life and work of the great American composer Elliott Carter (1908-2012). It examines his formative, and often ambivalent, engagements with Charles Ives and other 'ultra-modernists', with the classicist ideas he encountered at Harvard and in his three years of study with Nadia Boulanger in Paris; and with the populism developed by his friends Aaron Copland and Marc Blitzstein in Depression-era New York, and the unique synthesis of modernist idioms that he began to develop in the late 1940s.
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Table of Contents
Elliott Carter now
Remembering Mr. Carter (a double portrait)
A brief life of a very long life
A modernistic education (1924-1935)
Musician, wrestling (1935-1946)
Turning points (1946-1948)
Back to modernism. Back to futurism. Back to New York (1948-1975)
Carter vs. poets (round 1)
Macro Carter/Micro Carter (1983-1999)
Multi-vehicle accidents
Bagatelles
Carter vs. poets (round 2)
Farewell symphonies
Epilogue: "Every note has life in it."
Edition Notes
Includes bibliographical references and index.
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May 31, 2019 | Created by MARC Bot | import new book |