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"Polaroid instant photography revolutionized the taking and making of pictures, and the story of its beginnings is a simple one. In 1943, after being asked by his daughter why she couldn't immediately see the photograph he had just taken, American inventor and scientist Edwin H. Land conceived of the technology required to make this seemingly impossible demand a reality--within an hour. Land's creation was a groundbreaking scientific accomplishment that also heralded an exciting new chapter of artistic expression. Through the efforts of thousands of photographers the world over, as well as the corporation's own artist support program, which provided many with materials, Polaroid would help shape the artistic landscape of the late twentieth century. Published to accompany a major traveling exhibition, The Polaroid Project is a creative exploration of the relationship between Polaroid's many technological innovations and the art that was created with their help. Richly designed with over 300 illustrations, this beautiful volume showcases not only the myriad and often idiosyncratic approaches taken by such photographers as Ansel Adams, Robert Mapplethorpe, Ellen Carey, and Chuck Close, but also a fascinating selection of the technical objects and artfacts that speak of the sheer ingenuity that lay behind the art. With essays by the exhibition's curators and leading photographic writers and historians, The Polaroid Project provides a unique perspective on the Polaroid phenomenon--a technology, an art form, a convergence of both--and its enduring cultural legacy"--Provided by publisher.
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Edition | Availability |
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The Polaroid project: at the intersection of art and technology
2017
in English
0520296168 9780520296169
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Table of Contents
Edition Notes
"Published by arrangement with Thames & Hudson Ltd., London"--Title page verso.
"Published to accompany the exhibition ... organized by the Foundation for the Exhibition of Photography, Minneapolis/New York/Paris/Lausanne, in collaboration with MIT Museum, Cambridge, Massachusetts, and WestLicht Museum of Photography, Vienna. It was curated by William A. Ewing, Barbara P. Hitchcock, Deborah G. Douglas, Gary Van Zante, and Rebekka Reuter. Participating institutions include Amon Carter Museum of American Art, Fort Wrth, Texas; WestLicht Museum of Photography, Vienna; C/O Berlin; Museum für Kunst und Gewerbe, Hamburg; McCord Museum, Montreal; and MIT Museum, Cambridge, Massachusetts"--Title page verso.
Includes bibliographical references.
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