An edition of Bartók perspectives
(2000)
Bartók perspectives
man, composer, and ethnomusicologist
by Elliott Antokoletz and Benjamin Suchoff
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1
Bartok Perspectives: Man, Composer, and Ethnomusicologist
June 26, 2000, Oxford University Press, USA
Hardcover
in English
0195125622 9780195125627
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2
Bartók perspectives: man, composer, and ethnomusicologist
2000, Oxford University Press
in English
0195125622 9780195125627
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Book Details
Table of Contents
1. Perspectives in Bartók research / Elliott Antokoletz
I. Career and work as folklorist. 2. Bartók's odyssey in Slovak folk music / Benjamin Suchoff
3. Bartók on Southslavic epic songs / Stephen Erdely
II. Analytical and theoretical studies. 4. Analyzing Bartók's works of 1918-1922: motives, tone patches, and tonal mosaics / Malcolm Gillies
5. Modal transformation and musical symbolism in Bartók's Cantata Profana / Elliott Antokoletz
6. Organic expansion and classical structure in Bartók's Sonata for two pianos and percussion / Elliott Antokoletz
7. The benefits of "relaxation": the role of the "Pihenő" movement in Béla Bartók's Contrasts / John K. Novak
III. Style and aesthetics. 8. The genesis of Bartók's musical language / Benjamin Suchoff
9. Love and anguish: Bartók's expressionism / Dorothy Lamb Crawford
10. The Verbunkos and Bartók's modern style: the case of Duke Bluebeard's castle / Judit Frigyesi
11. Bartók's Concerto for orchestra (1943) and Janác̆ek's Sinfonietta (1926): conceptual and motivic parallels / James Porter
IV. Folk music influences. 12. Bartók in North Africa: a unique fieldwork and its impact on his music / János Kárpáti
13. Background and analysis of Bartók's Romanian Christmas carols for piano (1915) / David Yeomans
14. Béla Bartók and Bulgarian rhythm / Timothy Rice
V. Compositional process. 15. Bartók's notations in composition and transcription / László Somfai
16. Pelléas revealed: the original ending of Bartók's opera, Duke Bluebeard's castle / Carl S. Leafstedt
17. Correcting printed editions of Béla Bartók's Viola concerto and other compositions / Peter Bartók
18. Deciphering Béla Bartók's viola concerto sketch / Nelson Dellamaggiore
VI. Orientation toward pedagogy. 19. Bartók's fourteen bagatelles op.6, for piano: toward performance authenticity / Victoria Fischer
VII. Reception history. 20. The canonization of Béla Bartók / Malcolm Gillies.
Edition Notes
Papers delivered at the International Bartók Conference, held at Radford University, Radford, Va., Apr. 6-9, 1995 and at the Bartók in Retrospect International Symposium, University of California, Los Angeles, Oct. 17-18, 1995.
Includes bibliographical references and index.
"Chronological list of cited Bartók compositions": p. 303-304.
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