An edition of New Francophone African and Caribbean theatres (2010)

New Francophone African and Caribbean theatres

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Cover of: New Francophone African and Caribbean theatres by John Conteh-Morgan
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August 1, 2020 | History
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An edition of New Francophone African and Caribbean theatres (2010)

New Francophone African and Caribbean theatres

by

  • 0 Ratings
  • 0 Want to read
  • 0 Currently reading
  • 0 Have read

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Publish Date
Publisher
Indiana University Press
Language
English

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Previews available in: English

Subjects
African drama (French), Caribbean drama (French), History and criticism, Theater, Theater, africa, Theater, caribbean area, Dramatic criticism
Places
French-speaking Caribbean, French-speaking Equatorial Africa, French-speaking West Africa

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Edition Availability
Cover of: New Francophone African and Caribbean Theatres
New Francophone African and Caribbean Theatres
2010, Indiana University Press
in English
Libraries near you: WorldCat
Cover of: New Francophone African and Caribbean Theatres
New Francophone African and Caribbean Theatres
2010, Indiana University Press
in English
Libraries near you: WorldCat
Cover of: New Francophone African and Caribbean theatres
New Francophone African and Caribbean theatres
2010, Indiana University Press
in English
  • Not in Library
Libraries near you: WorldCat

Add another edition?

Book Details

Table of Contents

Introduction : instrumentalizing performance and the Francophone postcolonial performative
Cultural trauma and ritual re-membering : Werewere Liking's Les mains veulent dire
The dramatist as epic performer : Eugène Dervain's Saran, ou la reine scélérate
The power and the pleasures of dramatized narrative : Bernard Zadi Zaourou's La guerre des femmes
Theatre as writing and voice : Patrick Chamoiseau's Manman dlo contre la fée carabosse
Tradition instrumentalized : Elie Stephenson's O mayouri
Militariat grotesqueries and tragic lament : Tchicaya u Tam'si's Le destin glorieux du maréchal nnikon nniku, prince qu'on sort and le bal de ndinga
From the grotesque to the fantastic : Sony Labou Tansi's Qui a mangé Madame d'Avoine Bergotha?
Exile and the failure of the nation; or, diasporic subjectivity from below : Simone Schwarz-Bart's Ton beau capitaine
Conclusion : Francophone theatres in the age of globalization.

Edition Notes

Includes bibliographical references and index.

Published in
Bloomington
Series
African expressive cultures

Classifications

Dewey Decimal Class
842/.9140996
Library of Congress
PQ3983 .C63 2010, PQ3983.C63 2010

The Physical Object

Pagination
p. cm.

ID Numbers

Open Library
OL24028827M
Internet Archive
newfrancophoneaf00cont
ISBN 13
9780253355133, 9780253222268
LCCN
2010000638
OCLC/WorldCat
464581586

Source records

Library of Congress MARC record
Internet Archive item record
marc_openlibraries_sanfranciscopubliclibrary MARC record
Better World Books record
Better World Books record
Library of Congress MARC record
marc_columbia MARC record
harvard_bibliographic_metadata record
Promise Item

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August 1, 2020 Edited by ImportBot import existing book
July 5, 2019 Edited by MARC Bot import existing book
February 5, 2019 Created by MARC Bot import existing book