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This volume celebrates the connections between Dutch and international modern art. It is based on the exhibition at the famed Palazzo Grassi in Venice, the first in which masterpieces by Belgian and Dutch artists of the last two centuries - Van Gogh, Ensor, Magritte, Mondrian, and many others - are seen together as representative of parallel movements, sharing qualities of elegance, simplicity, and rigor.
Flemish and Dutch Painting presents the finest examples of the collections of twenty European museums, as well as of premiere private collections. Following a chronological path, this book is a penetrating survey of how those early developments have influenced and colored the modern age, continuing into Expressionist, Surrealist, and Realist art.
With historical and critical essays by the curators as well as by leading Dutch and Italian art historians, and lavishly illustrated with over 300 color plates, Flemish and Dutch Painting is essential for anyone interested in the art of Belgium and the Netherlands, as well as for readers who want to see beyond the familiar points of view of New York and Paris.
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Previews available in: English
Subjects
Flemish Art, Dutch Art, Exhibitions, Painting, flemish, Painting, dutch, Belgian ArtTimes
20th century, 19th centuryShowing 3 featured editions. View all 3 editions?
Edition | Availability |
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1
Flemish and Dutch painting: from Van Gogh, Ensor, Magritte, Mondrian to contemporary artists
1997, Bompiani
in English
- 1st ed.
8845231054 9788845231056
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2
Flemish and Dutch painting: from Van Gogh, Ensor, Magritte, and Mondrian to contemporary artists
1997, Rizzoli, Rizzoli International Publications, Incorporated
in English
0847820556 9780847820559
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3
Flemish and Dutch Painting: From Van Gogh, Ensor, Magritte, Mondrian to Contemporary Artists
June 15, 1997, Rizzoli
Hardcover
in English
0847820556 9780847820559
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zzzz
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Book Details
Edition Notes
Accompanies the exhibition "Art of the 20th Century. Flemish and Dutch Painting from Van Gogh, Ensor, Magritte, Mondrian to Contemporary Artists" held at Palazzo Grassi, Venice.
Includes bibliographical references (p. 341-347) and indexes.
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