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Holman relates Richard Rome's development as a sculptor to the changing scene of sculptural practice, from the constrasting traditions of modernism and the figurative, through the influences of New Generation sculpture in the mid-1960s and the onslaught of conceptualism and minimalism at the end of the decade.
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Includes bibliographical references (p. 87).
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Feedback?September 25, 2020 | Edited by MARC Bot | import existing book |
May 23, 2012 | Created by LC Bot | import new book |