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"Provoked in part by Lacan's influential seminars in Paris, Discourse, Figure distinguishes between the meaningfulness of linguistic signs and the meaningfulness of plastic arts such as painting and sculpture. Lyotard argues that because rational thought is discursive and works of art are inherently opaque signs, certain aspects of artistic meaning such as symbols and the pictorial richness of painting will always be beyond reason's grasp."--Page [2] of jacket.
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Originally published: Discours, figure. Paris : Klincksieck, 1971.
Includes bibliographical references and index.
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