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"Susan McClary examines the mechanisms through which seventeenth-century musicians simulated extreme affective states--desire, divine rapture, and ecstatic pleasure. She demonstrates how every major genre of the period, from opera to religious music to instrumental pieces based on dances, was part of this striving for heightened passions by performers and listeners. ... McClary shows how musicians--whether working within the contexts of the Reformation or Counter-Reformation, Absolutists courts or commercial enterprises in Venice--were able to manipulate known procedures to produce radically new ways of experiencing time and the Self."--Jacket.
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1
Desire and Pleasure in Seventeenth-Century Music
2012, University of California Press
in English
0520952065 9780520952065
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2
Desire and Pleasure in Seventeenth-Century Music
2012, University of California Press
in English
1280116595 9781280116599
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3
Desire and pleasure in seventeenth-century music
2012, University of California Press
in English
0520247345 9780520247345
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Includes bibliographical references and index.
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