The scandal over modern music has not died--while paintings by Picasso and Pollock sell for millions of dollars, works from Stravinsky's Rite of Spring onward still send ripples of unease through audiences. Yet the influence of modern music can be felt everywhere. Avant-garde sounds populate the soundtracks of Hollywood thrillers. Minimalist music has had a huge effect on rock, pop, and dance music from the Velvet Underground onward. Music critic Alex Ross shines a bright light on this secret world, taking us from Vienna before the First World War to Paris in the twenties, from Hitler's Germany and Stalin's Russia to New York in the sixties and seventies. We follow the rise of mass culture and mass politics, of new technologies, of hot and cold wars, of experiments, revolutions, and riots. The end result is not so much a history of twentieth-century music as a history of the twentieth century through its music.--From publisher description.
Previews available in: English
Subjects
Times
| Edition | Availability |
|---|---|
1
The rest is noise: listening to the twentieth century
2007, Farrar, Straus and Giroux
in English
- 1st ed.
0374249393 9780374249397
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2
The rest is noise: listening to the twentieth century
2007, Farrar, Straus and Giroux, Farrar, Straus & Giroux
in English
- 1st ed.
0374249393 9780374249397
|
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Book Details
Table of Contents
Edition Notes
Includes index.
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- Harvard University record
Work Description
The Rest Is Noise: Listening to the Twentieth Century is a 2007 nonfiction book by the American music critic, Alex Ross, first published by Farrar, Straus and Giroux. It received widespread critical praise in the U.S. and Europe, garnering a National Book Critics Circle Award, a Guardian First Book Award, a Premio Napoli and the 2011 Grand Prix des Muses. The Rest is Noise also had a spot on the New York Times list of the ten best books of 2007, and a finalist citation for the Pulitzer Prize in general nonfiction. The book was also shortlisted for the 2008 Samuel Johnson Prize for nonfiction.
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