The German popular play Atis, and the Venetian opera
a studyof the conversion of operas into popular plays, 1675-1722, with special reference to the play Atis
by Mary Beare
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Subjects
Der stumme prinz Atis, German drama, History and criticism, Italian Opera, Opera, Italian, Theater, OperasPlaces
ViennaTimes
18th centuryShowing 2 featured editions. View all 2 editions?
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The German popular play Atis and the Venetian opera: a study of the conversion of operas into popular plays, 1675-1722, with special reference to the play Atis.
1938, Cambridge University Press
in English
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Edition Notes
"The ms. of 'Atis', no. 13107 of the National library at Vienna...inds with the note: 'Finito d. 27ten mart 1708. M. DorcLeus.'"- p.1.
The comedy "Atis" is taken directly from a German "singsplot" intitled "Der hochmiithige, besturate und wieder-erhobene Croesus", the works of which were written by Lucas von Bestel, and which is a prose adaptation of an Italian opera, "Creso", with libetto by Count Niccolb Minato, and music by Antonio Draghi. The title of the comedy is given as "Der stumme prinz Atis", and "Der von Ciro gerfangene Crusus".of. p. 3-4, 43.
"List of libretti and 'haupt-and staatsaktionen'": p. 73." Bibliography": p.74-77.
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| July 16, 2024 | Edited by MARC Bot | import existing book |
| December 4, 2010 | Edited by Open Library Bot | Added subjects from MARC records. |
| January 18, 2010 | Edited by WorkBot | add subjects and covers |
| December 11, 2009 | Created by WorkBot | add works page |