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EXISTEM SERES INTELIGENTES NO ESPAÇO. MAS, PARA ELES, A HUMANIDADE É IRRELEVANTE. A cidade de Harmont está mudada. Desde que foi palco de uma das várias invasões alienígenas na Terra, o clima é de incerteza e medo. Os visitantes anônimos não se comunicaram com os terráqueos, e assim deixaram a humanidade com questionamentos aterradores. Nos locais onde eles estiveram, agora zonas proibidas, fenômenos perigosos continuam acontecendo. O trabalho ilegal de Redrick Schuhart, e de todos os outros stalkers, é invadir esse território para coletar e depois comercializar estranhos e misteriosos objetos trazidos de mundos distantes. Publicado pela primeira vez em 1971 na União Soviética, Piquenique na Estrada mistura alusões à Guerra Fria e reflexões sobre a insignificância humana. Adaptado para os cinemas no filme Stalker, de Andrei Tarkóvski, é um dos maiores clássicos da ficção científica no leste europeu. Traduzido direto do russo, e com o texto original escrito pelos Strugátski, esta edição traz duas leituras complementares: um posfácio escrito pelo próprio Bóris e um prefácio assinado por Ursula K. Le Guin, autora de A Mão Esquerda da Escuridão.
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Comment by Hari Kunru in The Guardian:
Soviet-era Russian science fiction deserves a wider audience in English. The Strugatsky brothers collaborated on numerous novels and stories, the best known of which is this, partly because it was filmed by Andrei Tarkovsky as Stalker, in 1977. The novel takes place 10 years after a mysterious alien visitation, which seems to have no rational explanation. No one saw the visitors. Their presence caused disease and blindness in the areas where they landed. Now, in the six "Zones", the laws of physics (and, seemingly, of reality) are disturbed by anomalies, and littered with inexplicable, deadly wreckage. Only a few brave "stalkers" risk their lives to enter the zones to gather alien artefacts for sale. Some of these artefacts offer the promise of extraordinary powers. Unlike Tarkovsky's film, which concentrates on the hallucinatory, vacated landscape of the zones, the novels portray a society adapting to an inexplicable, terrifying event, an eruption of the unknown. Though written in 1971 and published in English in 1977, the novel was heavily bowdlerised by Soviet censors, and an authoritative text wasn't available in Russian until 2000. It's a book with an extraordinary atmosphere – and a demonstration of how science fiction, by using a single bold central metaphor, can open up the possibilities of the novel.
Original Title: Пикник на обочине
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