An edition of Igor Stravinsky
(2014)
Igor Stravinsky
sounds and gestures of modernism
by Massimiliano Locanto
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Criticism and interpretationPeople
Igor Stravinsky (1882-1971)Showing 1 featured edition. View all 1 editions?
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Table of Contents
Root and routes.
In between Orthodoxy and Catholicism: the problem of Stravinsky's religious identity -- Tatiana Baranova Monighetti ;
Stravinsky and the spiritual world of Orthodox theology -- Susanna Pasticci ;
Igor Stravinsky and his Russian interlocutors -- Svetlana Savenko ;
Stravinsky's Swiss years: a Russian composer's liberation -- Rosamund Bartlett ;
Stravinsky's Abraham and Isaac: glimpse of the east? -- Natalia Braginskaya
The musical text.
Working on The rite of spring: Stravinsky's sketches for the ballet at the Paul Sacher Stiftung -- Tatiana Baranova Monighetti ;
Octatonic or diminished? Russian modal interpretations of Stravinsky from an American perspective -- Philip Ewell ;
Stravinsky as analyst: The firebird and Petrushka -- Mark McFarland ;
Dialogising Stravinsky: A topic theory and gestural interpretation -- Nicholas P. McKay ;
From Saint Petersburg to Europe: The reconstruction of Stravinsky's Danse russe and Prest finale from Sleeping princess (1921) and Marriage d'Aurore (1922-1929) -- Elia Andrea Corazza ;
La pratique de l'hommage musical chez Stravinsky -- Danick Trottier
Music, gestures, bodies.
Some thoughts on Stravinsky's 'Apotheosis' -- Jonathan Cross ;
Le gest musical: Hatten versus Stravinsky -- Antony Desvaux ;
Stravinsky's 'Music on music': a survey of the main theories and interpretations -- Bogumila Mika ;
Embodiment and reception in Les noces: choreographic relationships to music, libretto, and the folk wedding -- Matilda Anna Butkas Ertz -- Restagings, rereadings.
Miloss et Stravinsky: un choréographe et le 'raffiné sorier' de la musique du XXe siècle -- Patrizia Veroli ; Bergman's Rake's progress: How a director helped create an operatic masterpiece / -- Chandler Carter ;
Gestures of polyphony, rhythm, and gender in Pina Bausch's Le sacre du printemps -- Melissa L. Khong ;
Tre registri e un autore: la versione teatrale dell'Histoire du soldat sull'inedito di Pasolini -- Aurora Egidio
From stage to screen.
Igor Stravinsky et l'Opéra de Paris (1915-1945): entre réforme théâtrale et modernitê musicale -- Claire Paolacci ;
Œdipus rex ou l'œuvre au neutre: un dispositif anti-fictionnel? -- Julien Ségol ;
Igor Stravinsky's The flood in between theatre and television -- Massimiliano Locanto
Critical reception.
A modernist composer for avant-garde times? Stravinsky's music in Spain during the early Franocoism (1945-1960) -- Germán Gan Quesada ;
The rakes' progress: the critic's perception of the world première (Venice 1951) -- Rosanna Giaquinta ;
Quarant'anni con Stravinsky -- Gianfranco Vinay.
Edition Notes
Includes bibliographical references and index (pages 481-494).
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- Created December 21, 2022
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